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Sober, Strict, and Scriptural: Collective Memories of John Calvin, 1800-2000
Calvinism’s influence and reputation have received ample scholarly attention. But how John Calvin himself – his person, character, and deeds – was remembered, commemorated, and memorialized, is a question few historians have addressed. Focussing on the nineteenth and twentieth centuries, this volume aims to open up the subject with chapters on Calvin’s monumentalization in statues and museums, his appearance in novels, children’s books, and travel writing, his iconic function for Hungarian nationalists and Presbyterian missionaries to China, his reputation among Mormons and freethinkers, and his rivalry with Michael Servetus in French Protestant memory. The result is a fresh contribution to the field of religious memory studies and an invitation to further comparative research. Contributors include: R. Bryan Bademan, Patrick Cabanel, R. Scott Clark, Thomas J. Davis, Stephen S. Francis, Joe B. Fulton, Botond Gaál, Stefan Laube, Johan de Niet, Herman Paul, James Rigney, Michèle Sacquin, Jonathan Seitz, Robert Vosloo, Bart Wallet, and Valentine Zuber.
Lutheran Music Culture
This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.
J. S. Bach's 'Leipzig' Chorale Preludes
In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy's dissertation research forms the basis for this original study of the preludes to Bach's Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bach's compositions have been a source of some puzzlement. As Leahy notes, "the original intentions of Bach and the possible purpose of this collection might be regarded as speculative." Working from available sources, however, she argues that through the careful exam...
The Lutheran Confessions
In this important new volume, Arand, Kolb, and Nestingen bring the fruit of an entire generation of scholarship to bear on these documents, making it an essential and up-to-date class text. The Lutheran Confessions places the documents solidly within their political, social, ecclesiastical and theological contexts, relating them to the world in which they took place. Though the book is not a theology of the Confessions, readers will clearly understand the issues at stake in the narratives, both in their own time, and in ours.
Remembering the Reformation
The 500th anniversary of the Reformation in 2017 focuses the mind on the history and significance of Protestant forms of Christianity. It also prompts the question of how the Reformation has been commemorated on past anniversary occasions. Remembering the Reformation: An Inquiry into the Meanings of Protestantism explores various meanings attributed to Protestantism by examining past Reformation commemorations, focusing principally on Germany, the cradleof the Reformation.
Martin Luther and the Arts
Andreas Loewe and Katherine Firth elucidate Luther’s theory and practice of the arts to reach audiences and convince them of his Reformation message using a range of strategies, including music, images and drama.
Arts, Portraits and Representation in the Reformation Era
The role played by artistic, literary, historical and theological representations in the establishment of the European Reformation has attracted scholarly attention over the years. While they were generally regarded as a significant means of conveying the evangelical message, particularly in a society with a low average literacy rate, this scholarly consensus was then seriously challenged by objecting that their meaning must have remained opaque to those who couldn't read and interpret their sometimes multilayered imagery and their verbal and figurative messages. This volume, which publishes some of the papers delivered at the Fourth Reformation Research Consortium Conference held in Bologna...
Schleiermacher's Preaching, Dogmatics, and Biblical Criticism
Friedrich Schleiermacher, the "father of modern theology," found his voice first in preaching. This book demonstrates how Schleiermacher moved between the critical reading of Scripture, the proclamation of Christian faith to congregations over a forty-five-year period, and, eventually, the work of theology in all its disciplines. Schleiermacher's Preaching, Dogmatics, and Biblical Criticism is the first work to fully unveil this interaction by focusing on Schleiermacher's 228 known sermons on the Gospel of John. Kelsey shows in detail 1) how the central insights of his theology emerged first in his preaching, and 2) that his dogmatic writings provided a context within which these insights could be related to all the major doctrinal themes of Christian faith. The study concludes by drawing implications for theological reflection and its relation to worship life in our own time.
How Luther Regards Moses
Though undertreated by modern scholars, Martin Luther's lectures on Deuteronomy are critical to understanding his theological development as an exegete and also the course of the Reformation in the wake of Luther's return from the Wartburg in 1522. In these lectures, Luther engages deeply with Moses, whom he sees as an author, prophet, and ruler. These three ways of regarding Moses allow Luther to forge a new approach to the Mosaic law, shaping his response to what he perceives as the evangelical legalism of Andreas Karlstadt and Thomas Müntzer. By shedding light on these exegetical principles and connecting these lectures to surrounding events, Miles Hopgood brings new clarity as to why Luther broke with Karlstadt and the nature of his dispute with Müntzer, demonstrates the importance of the Hebrew Bible in shaping Luther's mature exegesis, and opens the door for fresh perspectives not only on the events of 1521-1525 but Luther's entire career as interpreter of scripture.
Johann Georg Hamann's Relational Metacriticism
Johann Georg Hamann's Relational Metacriticism.
