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Inside The Wicker Man is a treat for all cinemagoers, exhaustively researched and achieving a near-perfect balance between history, trivia and serious analysis. Allan Brown describes the filming and distribution of the cult masterpiece as a 'textbook example of How Things Should Never Be Done'. The omens were bad from the start, and proceeded to get much, much worse, with fake blossom on trees to simulate spring, actors chomping on ice-cubes to prevent their breath showing on film, and verbal and physical confrontations involving both cast and crew. The studio hated it and hardly bothered to distribute it, but today it finds favour with critics and fans alike, as a serious - if flawed - piece of cinema. Brown expertly guides readers through the film's convoluted history, attempting along the way to explain its enduring fascination, and providing interviews with the key figures - many of whom still have an axe to grind, and some of whom still harbour plans for a sequel.
75 years since its first release, a true modern rarity and historical keystone in occult fiction and cinematic pop culture returns. Shrouded in the same brand of mystery and contradiction that forms its tangled plot, Ritual is commonly recognised by cult cinema fanatics as the original seed that spawned the towering movie enigma, The Wicker Man. A police officer is requested to investigate the presumed murder of a child in an obscure rural village. During his short stay, he is subjected to a spectacle of psychological trickery, sexual seduction and ancient practices and rituals.
Interest in the ancient, the occult, and the "wyrd" is on the rise. The furrows of Robin Hardy (The Wicker Man), Piers Haggard (Blood on Satan's Claw), and Michael Reeves (Witchfinder General) have arisen again, most notably in the films of Ben Wheatley (Kill List), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.
The definitive guide to the making of the landmark horror movie The Wicker Man, lavishly illustrated and packed with insights into this classic chiller. The Wicker Man is one of the greatest horror movies of all time – a chilling exploration of an isolated community with a terrible secret. Featuring a stellar cast including Christopher Lee, Edward Woodward, Britt Ekland and Ingrid Pitt, The Wicker Man has terrified audiences world-wide for fifty years. Author and filmmaker John Walsh tells the story of how this singular – and somewhat unlikely – folk-horror classic came to be, illustrated with fascinating behind-the-scenes photography, new interviews, exclusive artwork, and never-before-seen material from the StudioCanal archives. Learn the secret history of Summerisle – if you dare…
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of pagan village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a...
First published in 1978, five years after the release of the classic horror film from which it is adapted, The Wicker Man by director Robin Hardy and screenwriter Anthony Shaffer, is a gripping horror classic. A novelization of the haunting Anthony Shaffer script, which drew from David Pinner's Ritual, it is the tale of Highlands policeman, Police Sergeant Neil Howie, on the trail of a missing girl being lured to the remote Scottish island of Summerisle. As May Day approaches, strange, magical, shamanistic and erotic events erupt around him. He is convinced that the girl has been abducted for human sacrifice. Yet he is soon to find that he may be the revellers' quarry . . .
The emergence of a rabid cult following the film version of The Wicker Man prompted the publication of the novel on which it was based. And a good thing, too. As fine as the film is, the book has its own special charm.
Eerie, unsettling and hauntingly beautiful - a new collaboration from the bestselling creators of Holloway, Robert Macfarlane and Stanley Donwood 'Ness goes beyond what we expect books to do. Beyond poetry, beyond the word, beyond the bomb -- it is an aftertime song' Max Porter, Booker-longlisted author of Grief is the Thing with Feathers Somewhere on a salt-and-shingle island, inside a ruined concrete structure known as The Green Chapel, a figure called The Armourer is leading a ritual with terrible intent. But something is coming to stop him. Five more-than-human forms are traversing land, sea and time towards The Green Chapel, moving to the point where they will converge and become Ness. ...
The Music Box, Irving Berlin, Select Theatres Corporation, owners, Helen Bonfils, Morton Gottlieb, Michael White present Anthony Quayle, Donal Donnelly in "Sleuth," a new thriller by Anthony Shaffer, with Philip Farrar, Harold K. Newman, Roger Purnell, directed by Clifford Williams, designed by Carl Toms, lighting by William Ritman.