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The Creation of the Boer Identity
The history of the Boer identity is an epic saga. "This book challenges the traditional perspective, which has never focused on the creation and development of the Boer identity."
The Creation of the Boer Identity
The history of the Boer identity is an epic saga. The Boer identity emerged in the isolation of an expansive landscape and evolved as a unique cultural entity deeply rooted in the principles of individualism, localism, independence, and freedom. The development of the Boer identity is an action-packed tale of sacrifice, suffering, loss, victory, and resilience that shaped the Boer identity. "What sets 'The Creation of the Boer Identity' apart is that it challenges the traditional perspective, which has never focused on the creation and development of the Boer identity." "It is a comprehensive exploration of the formation of the Boer identity." "The book has been extensively researched, and i...
Die Skepping van die Boeridentiteit
Die geskiedenis van die Boeridentiteit is 'n epiese sage. Die Boeridentiteit het in die isolasie van 'n uitgestrekte landskap, as 'n unieke kulturele entiteit ontstaan wat diep gewortel is in die beginsels van individualisme, lokalisme, onafhanklikheid en vryheid. Die ontwikkeling van die Boeridentiteit is 'n aksie-belaaide verhaal van opoffering, lyding, verlies, oorwinning, en veerkragtigheid wat die Boeridentiteit gevorm het. "Wat "Die Skepping van Die Boeridentiteit" onderskei, is dat dit die tradisionele perspektief, wat nooit op die skepping en ontwikkeling van die Boeridentiteit gefokus het nie, uitdaag." "Dit is 'n omvattende verkenning van die vorming van die Boeridentiteit." "Die b...
Die Skepping van die Boeridentiteit
"Hierdie omvattende verkenning van die Boeridentiteit daag die traditionele perspektief, wat nooit op die skepping van die Boeridentiteit gefokus het nie, uit."
Theorizing World Cinema
This innovative book is about the place of world cinema in the cultural imaginary. It also repositions world cinema in a wider discursive space than is usually the case and treats it as an object of theoretical enquiry, rather than as a commercial label. The editors and distinguished group of contributors offer a range of approaches and case studies whose organizing principle is the developing idea of polycentrism as applied to cinema. They refine and redefine key concepts in film studies, including identification and identity, narrative and realism, allegory and the national project, auteurism and the popular, art and genre. They re-evaluate how cinema shapes and responds to the philosophical, cultural and political effects of transnationalism and cosmopolitanism in the age of the moving image, and explore the interconnectedness of films produced worldwide, as well as the links between cinema and other visual cultural forms. The contributors include: John Caughie, Felicia Chan, Tiago de Luca, Rajinder Dudrah, Song Hwee Lim, Laura Mulvey, Lucia Nagib, Geoffrey Nowell-Smith, Chris Perriam, Ashish Rajadhyaksha, Paul Julian Smith, and Ismail Xavier.
Ceremony
None
Cracking Under Pressure
"An investigation of the squatters' movement in Amsterdam, which emerged in the late 1970s as a reaction to the housing shortage of the 1960s, peaked in the early 1980s, and then fell into a period of prolonged decline. Focuses on issues relating to the decline of social movements"--Provided by publisher.
