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Art has always been inspired by the wildlife around us. Since earliest times we have been continually fascinated by both wildlife and the challenge of representing it. This book sets the scene of how wildlife has been portrayed in art and guides the reader through the principles of practical drawing and painting wildlife. It covers recommended equipment, techniques, fieldcraft, composition and anatomy, and offers help for those wishing to exhibit their work. Suggests how to begin to draw wildlife and then to add colour; advises on how to draw a constantly moving subject and how to capture the moment; gives clear instruction on anatomy and composition; suggests how to paint outdoors and how t...
"This commemorative portfolio displays the full gallery of all 100 pictures awarded in the 2021 Wildlife Photographer of the Year competition. It also tells the stories of how they were created and what they reveal about the subjects depicted. Representing the work of photographers from 30 countries, they illustrate both the beauty and the drama of the natural world and our so-often conflicted relationship with it."--Back cover.
A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.
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Arthur B. Singer was an American wildlife artist specializing in bird illustration. In a career spanning five decades, he illustrated more than 20 books, including his masterpiece, Birds of the World, as well as classic bird guides: Birds of North America, Birds of Europe, and The Hamlyn Guide to Birds of Britain and Europe. Singer joined the U.S. Army in 1942 and was assigned to Company C of the 603rd Camouflage Engineers. As a member of unit, known as the "Ghost Army," Singer along with other artists, created camouflage and other forms of deception on the battlefields of Europe. Upon his return to the U.S., he worked briefly in an advertising agency and became a full-time illustrator and a...
For more than forty years, George McLean has lived in a stone farmhouse on 100 acres of land in Grey County, Ontario. On his daily walks, he looks for a moment that will inspire him -- the first step in a process that can take up to a year to yield a single painting. McLean's densely layered depictions of the natural world emerge directly from his intense interest in wildlife. In this sumptuous book, Virginia Eichhorn, Adam Duncan Harris, and Tom Smart examine the development of McLean's art and trace his varied influences, from early 20th-century wildlife artists Carl Rungius and Bruno Liljefors to Andrew Wyeth. Connecting with past traditions while resonating with contemporary audiences, McLean's work, along with that of many realists before him, reflects a shared sense of what it means to be North American. Illustrated with more than 60 colour reproductions, the publication of George McLean: The Living Landscape coincides with the opening of an accompanying international touring exhibition of McLean's work at the Tom Thomson Gallery in Owen Sound.
For more than two decades, the National Museum of Wildlife Art in Jackson, Wyoming, has honored and sustained the tradition of wildlife in American art by assembling the most comprehensive collection of paintings and sculptures portraying North American wildlife in the world. Wildlife in American Art presents for the first time a generous sampling of the museum's holdings, charts the history of this enduring theme in American art, and explores the evolving relationship between Americans and the natural resources of this continent.
"The funniest photographs of wildlife from around the world collected here in one ... book [intended] for animal lovers of all stripes"--
A stunningly beautiful book that teaches you how to produce loose and expressive paintings, filled with colour and light.