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Digital Image Processing
Written as an introduction for undergraduate students, this textbook covers the most important methods in digital image processing. Formal and mathematical aspects are discussed at a fundamental level and various practical examples and exercises supplement the text. The book uses the image processing environment ImageJ, freely distributed by the National Institute of Health. A comprehensive website supports the book, and contains full source code for all examples in the book, a question and answer forum, slides for instructors, etc. Digital Image Processing in Java is the definitive textbook for computer science students studying image processing and digital processing.
Principles of Digital Image Processing
This textbook is the third of three volumes which provide a modern, algorithmic introduction to digital image processing, designed to be used both by learners desiring a firm foundation on which to build, and practitioners in search of critical analysis and concrete implementations of the most important techniques. This volume builds upon the introductory material presented in the first two volumes with additional key concepts and methods in image processing. Features: practical examples and carefully constructed chapter-ending exercises; real implementations, concise mathematical notation, and precise algorithmic descriptions designed for programmers and practitioners; easily adaptable Java code and completely worked-out examples for easy inclusion in existing applications; uses ImageJ; provides a supplementary website with the complete Java source code, test images, and corrections; additional presentation tools for instructors including a complete set of figures, tables, and mathematical elements.
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Anatomy of the Auschwitz Death Camp
An authoritative account of the operation of the Auschwitz death camp.Ò. . . a comprehensive work that is unlikely to be overtaken for many years. This learnedvolume is about as chilling as historiography gets.Ó ÑWalter Laqueur, The New RepublicÒ. . . a vital contribution to Holocaust studies and a bulwark against forgetting.Ó ÑPublishers WeeklyÒRigorously documented, brilliantly written, organized, and edited . . . the most authoritativebook about a place of unsurpassed importance in human history.Ó ÑJohn K. RothÒNever before has knowledge concerning every aspect of Auschwitz . . . been made available in such authority, depth, and comprehensiveness.Ó ÑRichard L. RubensteinLeadin...
The Builder
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Genetic Learning for Adaptive Image Segmentation
Image segmentation is generally the first task in any automated image understanding application, such as autonomous vehicle navigation, object recognition, photointerpretation, etc. All subsequent tasks, such as feature extraction, object detection, and object recognition, rely heavily on the quality of segmentation. One of the fundamental weaknesses of current image segmentation algorithms is their inability to adapt the segmentation process as real-world changes are reflected in the image. Only after numerous modifications to an algorithm's control parameters can any current image segmentation technique be used to handle the diversity of images encountered in real-world applications. Genet...
Pixels & Paintings
PIXELS & PAINTINGS “The discussion is firmly grounded in established art historical practices, such as close visual analysis and an understanding of artists’ working methods, and real-world examples demonstrate how computer-assisted techniques can complement traditional approaches.” —Dr. Emilie Gordenker, Director of the Van Gogh Museum The pioneering presentation of computer-based image analysis of fine art, forging a dialog between art scholars and the computer vision community In recent years, sophisticated computer vision, graphics, and artificial intelligence algorithms have proven to be increasingly powerful tools in the study of fine art. These methods—some adapted from fore...
Aisthesis
Composed in a series of scenes, Aisthesis–Rancière’s definitive statement on the aesthetic–takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events—some famous, others forgotten—to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.
