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The Dutch Garden in the Seventeenth Century
In 1988-89 the three hundredth anniversary of an important historical event, the ascension of William and Mary to the thrones of England and Scotland, was celebrated in the Netherlands, the United Kingdom, and the United States of America. The symposium on Dutch garden art held at Dumbarton Oaks in May 1988 was the only scholarly event during the anniversary year that focused wholly upon gardens. This wide-ranging collection of essays charts the history, scope, and spread of Dutch garden art during the seventeenth century. A group of scholars, mostly Dutch, surveys what has been called the "golden age" of Dutch garden design. Essays discuss the political context of William's building and gar...
Passion and Control: Dutch Architectural Culture of the Eighteenth Century
Passion and Control explores Dutch architectural culture of the eighteenth century, revealing the central importance of architecture to society in this period and redefining long-established paradigms of early modern architectural history. Architecture was a passion for many of the men and women in this book; wealthy patrons, burgomasters, princes and scientists were all in turn infected with architectural mania. It was a passion shared with artists, architects and builders, and a vast cast of Dutch society who contributed to a complex web of architectural discourse and who influenced building practice. The author presents a rich tapestry of sources to reconstruct the cultural context and meaning of these buildings as they were perceived by contemporaries, including representations in texts, drawings and prints, and builds on recent research by cultural historians on consumerism, material culture and luxury, print culture and the public sphere, and the history of ideas and mentalities.
Pleasant Places
"Gibson's multilayered exploration of the rustic landscape enhances our understanding of the Golden Age in Dutch art, and his evocative language recalls a countryside now largely gone. At the same time, this illustrated book gracefully articulates the role of the Dutch rustic landscape in the history of landscape painting."--BOOK JACKET.
The Royalist Republic
This book traces the impact of the English Civil Wars and the resulting support for the royalist cause in the Dutch Republic.
The Moving Statues of Seventeenth-Century Amsterdam
This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercanti...
Humanistica Lovaniensia
Volume 48
The Hypothetical Species
This book is a provocative and invigorating real-time exploration of the future of human evolution by two of the world’s leading interdisciplinary ecologists – Michael Charles Tobias and Jane Gray Morrison. Steeped in a rich multitude of the sciences and humanities, the book enshrines an elegant narrative that is highly empathetic, personal, scientifically wide-ranging and original. It focuses on the geo-positioning of the human Self and its corresponding species. The book's overarching viewpoints and poignant through-story examine and powerfully challenge concepts associated historically with assertions of human superiority over all other life forms. Ultimately, The Hypothetical Species: Variables of Human Evolution is a deeply considered treatise on the ecological and psychological state of humanity and her options – both within, and outside the rubrics of evolutionary research – for survival. This important work is beautifully presented with nearly 200 diverse illustrations, and is introduced with a foreword by famed paleobiologist, Dr. Melanie DeVore.
Vermeer and the Delft School
Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.
Wandeling en verhandeling
De droom van het zuivere buitenleven is een thema dat in de Renaissance auteurs steeds weer heeft geïnspireerd. De lof van het landleven in de Georgica van Vergilius, 'Beatus ille' van Horatius en veel andere klassieke teksten stimuleerden hen tot navolging en vernieuwing van dit thema. Binnen deze buitenlevenliteratuur ontstond in de loop van de zeventiende eeuw in Nederland een geheel eigen variant. De toenemende welvaart stelde steeds meer patriciërs in staat een buitenplaats te laten bouwen met geometrisch aangelegde tuinen en boomgaarden. Parallel hieraan ontwikkelde zich een dichtsoort waarin men het buitengoed en het leven bezong, en een eigen visie op de gecultiveerde natuur ontwik...
Landscape and Religion from Van Eyck to Rembrandt
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer...
