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Hitler's Rival
Describes the life of German politician and activist Ernst Thèalmann, who once led the German Communist Party but lost the 1932 presidential election to Adolf Hitler, and examins how his legacy became one of the most important propaganda toold in centralEurope.
German Children's and Youth Literature in Exile 1933-1950
This volume deals with authors in exile - those writers who were forced to leave their home country after the National Socialists seized power in 1933. Although many of the authors have continued to receive recognition in their particular fields, whether film or adult literature, one group of artists has been overlooked - the authors and illustrators of children's literature. Now for the first time German Children's and Youth Literature in Exile, 1933-1050, has recorded and made accessible a wealth of information on these German-speaking authors and illustrators who emigrated to many different countries and regions of the world. German Children's and Youth Literature in Exile, 1933-1950, con...
The Modern Restoration
This book seeks to move twentieth-century German literary history away from its stubbornly persistent reliance on the political turning-points of 1933 and 1945. In the first part of the book, the authors analyze a synchronic corpus of literary journals, identifying a restorative aesthetic mood in the years 1930-1960 which persists across political date boundaries. In the second part, the careers of five writers are considered diachronically against this prevailing restorative climate: Gottfried Benn, Johannes R. Becher, Bertolt Brecht, Günter Eich, and Peter Huchel. Combining these two approaches, the authors show that a fresh perspective that challenges established literary-historical periodisations can shed light on the common cultural and aesthetic ground shared by writers, editors and critics across the ideological divides of the era.
Post-fascist Fantasies
Employing an approach informed by Slavoj Zizek's work on the Communist's sublime body and by British psychoanalytic feminism's concern with feminine subjectivity, Hell first examines the antifascist works by exiled authors and authors tied to the resistance movement. She then strives to understand the role of Christa Wolf, the GDR's most prominent author, in the GDR's effort to reconstruct symbolic power after the Nazi period.
Weimar in Exile
In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, "the best of Germany," refusing to remain citizens in this new state that legalized terror and brutality. Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories. The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Dblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.
The Portrayal of Jews in Gdr Prose Fiction
This volume is the first comprehensive single study of Jewish themes in any of the post-1945 German literatures. It presents literature on Jewish themes by Jewish and non-Jewish authors in the cultural, social and political context of the Soviet Zone/GDR during the entire 45 years of its history from 1945 to 1990. It offers a brief history of Jews in the GDR, before looking, in four chronologically ordered chapters, at the history of publishing on Jewish themes in the GDR. Some 28 texts by 19 different authors, including Anna Seghers, Stephan Hermlin, Arnold Zweig, Franz Fühmann, Johannes Bobrowski, Jurek Becker, Stefan Heym, Günter Kunert, Christa Wolf and Helga Königsdorf, are then sing...
Zwischen Vertrauen und Verrat
Können Mitglieder einer kommunistischen Partei Freunde sein? Das scheint zunächst undenkbar, da das Prinzip der Freundschaft schwer mit dem Prinzip kommunistischer Parteidisziplin vereinbar ist. Freundschaft wird im europäischen Raum seit der Neuzeit als Beziehung verstanden, die freiwillig eingegangen wird und individuell geprägt ist. Dem gegenüber steht die Forderung der kommunistischen Partei an ihre Mitglieder, ihr absolut treu zu folgen. Doch der Blick in die Parteigeschichte zeigt, dass Freundschaft neben Brüderlichkeit und Solidarität durchaus zu jenen Idealen gehörte, die sich Kommunisten auf ihre Fahnen schrieben. Die Autorin löst dieses Paradox auf, indem sie das Beispiel kommunistischer Intellektueller der Generation 1900 untersucht. Dafür nimmt sie die sozialen Beziehungen Willi Bredels, Wieland Herzfeldes und Anna Seghers' zwischen 1918 und 1960 in den Blick. Sie versucht auch, die bis heute diskutierte Frage zu klären, warum sich diese Intellektuellen lebenslang dem Kommunismus verschrieben.
Benjamin and Brecht
Germany in the mid 1920s, a place and time of looming turmoil, brought together Walter Benjamin-acclaimed critic and extraordinary literary theorist-and Bertolt Brecht, one of the twentieth century's most influential playwrights. It was a friendship that would shape their writing for the rest of their lives. In this groundbreaking work, Erdmut Wizisla explores what this relationship meant for them personally and professionally, as well as the effect it had on those around them. From the first meeting between Benjamin and Brecht to their experiences in exile, these eventful lives are illuminated by personal correspondence, journal entries and private miscellany-including previously unpublished materials-detailing the friends' electric discussions of their collaboration. Wizisla delves into the archives of other luminaries in the distinguished constellation of writers and artists in Weimar Germany, which included Margarete Steffin, Theodor Adorno, Ernst Bloch and Hannah Arendt. Wizisla's account of this friendship opens a window on nearly two decades of European intellectual life.
Federal Register
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Death in Berlin
Death in Berlin traces rituals and perceptions surrounding death from the Weimar Republic to the building of the Berlin Wall.
