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Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told."--BOOK JACKET.
This text is an accessible but challenging introduction to the debate on "governmentality" and the continued relevance of this body of work for the study of global politics.
In State Secrecy and Security: Refiguring the Covert Imaginary, William Walters calls for secrecy to be given a more central place in critical security studies and elevated to become a core concept when theorising power in liberal democracies. Through investigations into such themes as the mobility of cryptographic secrets, the power of public inquiries, the connection between secrecy and place-making, and the aesthetics of secrecy within immigration enforcement, Walters challenges commonplace understandings of the covert and develops new concepts, methods and themes for secrecy and security research. Walters identifies the covert imaginary as both a limit on our ability to think politics differently and a ground to develop a richer understanding of power. State Secrecy and Security offers readers a set of thinking tools to better understand the strange powers that hiding, revealing, lying, confessing, professing ignorance and many other operations of secrecy put in motion. It will be a valuable resource for scholars and students of security, secrecy and politics more broadly.
NEW YORK TIMES BESTSELLER * “An insightful read…Walters is a larger-than-life character.” —Sports Illustrated * “This book is going to become the sports gambling bible…The formula’s in the book.” —Pat McAfee The wild and massively entertaining autobiography of Billy Walters—“the greatest and most controversial sports gambler ever” (ESPN)—who shares his extraordinary life story, reveals the secrets to his fiercely protected betting system, and breaks his silence about Phil Mickelson. Anybody can get lucky. Nobody controls the odds like Billy Walters. Widely regarded as “the Michael Jordan of sports betting,” Walters is a living legend in Las Vegas and among sport...
William Walters (ca. 1750-1841) was born in Dobbs Co., N.C. and died in Robeson Co., N.C. Before 1784 he married Celia (Selah) Dawson (ca. 1755-1843), daughter of Joseph Dawson and his second wife Patience of Dobbs County. Family lived in the Walnut Creek section of Dobbs County, N.C. where their first eight children were born. Around 1794 they moved to Robeson County, N.C. where the last seven children were born. Descendants live in North Carolina, Florida, Alabama, Georgia, Mississippi, California, Ohio, Kansas and elsewhere.
Collecting Italian Renaissance paintings during America’s Gilded Age was fraught with risk because of the uncertain identities of the artists and the conflicting interests of the dealers. Stanley Mazaroff’s fascinating account of the close relationship between Henry Walters, founder of the legendary Walters Art Museum in Baltimore, and Bernard Berenson, the era’s preeminent connoisseur of Italian paintings, richly illustrates this important chapter of America’s cultural history. When Walters opened his Italianate museum in 1909, it was labeled as America’s “Great Temple of Art.” With more than 500 Italian paintings, including self-portraits purportedly by Raphael and Michelange...