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For this catalog, Kalman A. Burnim has selected more than 360 portraits from various editions of the John Bell publication Bell's Shakespeare (including John Barker's continuation of 1799-1800) and from Bell's British Theatre (including George Cawthorn's 1797 edition). Philip H. Highfill Jr. has furnished the introductory essay for the catalog. Most of these portraits are by James Roberts and Samuel De Wilde, who were among the leading painters of actors and actresses between 1770 and 1820. Richard Cosway, William Hamilton, Gilbert Stuart, and other painters also have work represented in the catalog. The engraved versions are by James Thornthwaite, William Leney, Philippe Audinet, and others. When possible, each entry is illustrated by a reproduction of the engraving or by an original picture. For each entry, Burnim provides details of publication, the provenance and related pictures, the locations of the originals, and commentary.
British Museum Keeper of Prints offers complete history, 15th-century to 1914; accomplishments, influences, artistic merit. 111 illustrations. Chapters include: The Earliest Engravers, The Great Masters of Engraving, The Decline of Original Engraving, and more.
Originally published in 1987, this new edition of British Prints is a comprehensive dictionary of British printmakers working between 1650 and 1950. It covers eighteenth century mezzotint portraits, nineteenth century sporting aquatints and topographical views, and original etchings and lithographs in the twentieth century. Since most prints in this period were either signed in the plate or individually signed in ink or pencil by the artist, it provides a convenient and accessible means to identify a printmaker, look up the concise biographical summary and ascertain the printmaker's range of work and relative stature, as well as to obtain some idea of the likely value of the works. British Prints reached the status of bible within the antiques trade in its successful first edition, and this new fully revised edition has been very quick to reprint due to the demand.
Following his participation in James Cook's circumnavigation in HMS Endeavour (1768-71), Joseph Banks developed an extensive global network of scientists and explorers. His correspondence shows how he developed effective working links with the British Admiralty and with the generation of naval officers who sailed after Cook.
Integrates the vital contributions of women as printmakers, printsellers and print publishers into the history of eighteenth-century art.