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Culture and Difference
Focusing on the prevailing ideas connected to cultural and social diversity, this collection of essays deploys a variety of critical methods originating from social, cultural, and literary theory to analyze the relationship between historical and social forces and recurrent cultural beliefs and values.
From Solidarity to Schisms
From Solidarity to Schisms is the first collection to expand discussions of the effects the events of 11 September 2001 and their aftermath have had on fiction and film beyond an exclusively US-based focus. The essays brought together here go beyond critiquing the US to examine the cultural shifts taking place in fiction and cinema from places such as Britain, France, Germany, Australia, Pakistan, Canada, Israel, and Iran. From these many sites of production, the works discussed in this collection illustrate more precisely how 9/11 was “global” without succumbing to neat categorizations, such as “us vs. them,” “East vs. West,” “Christianity vs. Islam,” and so on. From Solidar...
Music, Popular Culture, Identities
Music, Popular Culture, Identities is a collection of sixteen essays that will appeal to a wide range of readers with interests in popular culture and music, cultural studies, and ethnomusicology. Organized around the central theme of music as an expression of local, ethnic, social and other identities, the essays touch upon popular traditions and contemporary forms from several different regions of the world: political engagement in Italian popular music; flamenco in Spain; the challenge of traditional music in Bulgaria; boerenrock and rap in Holland; Israeli extreme heavy metal; jazz and pop in South Africa, and musical hybridity and politics in Côte d’Ivoire. The collection includes essays about Latin America: on the Mexican corrido, the Caribbean, popular dance music in Cuba, and bossanova from Brazil. Communities of a cultural diaspora in North America are discussed in essays on Somali immigrant and refugee youth and Iranians in exile in the US. Grounded in cultural theory and a specialized knowledge of a particular popular musical practice, each author has written a critical study on the mix of music and identity in a particular social practice and context.
The Last Effort of Dreams
When Pier Giorgio Di Cicco first appeared on the Canadian literary scene in the early 1980s, he was immediately recognized as one of the most compelling voices of his generation. The Last Effort of Dreams is the first critical collection on Pier Giorgio Di Cicco and traces the steps of his career from different perspectives. The contributors, fellow poets and academics alike, ponder Di Cicco’s poetry in diverse ways: through reminiscence, by taking stock, and by focusing on individual texts and specific themes. What emerges is an intriguing composite picture of Di Cicco’s complex and unique identikit. The volume includes both scholarly analysis and testimonials by individuals who lived the literary history of which Di Cicco is a part. The inclusion of a bibliography of Di Cicco’s publications and of those about him makes this book a valuable tool for anyone approaching his works for the first time and anyone interested in contemporary North American minority literatures or contemporary Canadian literature.
Popular Music and Human Rights: World music
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination, and the right to self-legislation have long been at the forefront of popular music's approach to human rights. In Eastern Europe, where states often tried to control music, the hundreds of thousands of Estonians who gathered in Tallinn between 1987 and 1991 are a part of the ""singing revolutions"" that encouraged a sense of national consciousness, which had years earlier been crushed when Soviet policy.
Popular Music and Human Rights
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. Contributors to this significant volume cover artists and topics such as Billy Bragg, punk, Fun-da-Mental, Willie King and the Liberators, Hedwig and the Angry Inch, the Anti-Death Penalty movement, benefit concerts, benefit albums, Gil Scott-Heron, Bruce Springsteen, Wounded Knee and Native American political resistance, Tori Amos, Joni Mitchell, as well as human rights in relation to feminism. A second volume covers World Music.
Experimental – Visual – Concrete
This book addresses the major critical and interpretive issues of contemporary experimental poetic texts. Critical approaches, historical contexts, and basic concepts are surveyed in two introductory essays, while the study of poetic movements in historical context and the chronological trajectory of production of experimental texts are discussed in the first major segment of the volume, Experimentation in Its Historical Moment. The principal topic addressed here is the nature of experimental poetry in revolutionary social contexts. The second major theme, focused upon in the section Experimentation in the Language Arts, is that of language as a vehicle for experiments and cognitive quests, ...
Popular Music and Human Rights
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. This two-volume set comprises Volume I: British and American Music, and Volume II: World Music.
Ricordi, Things Remembered
Deals with the theme: the Italian experience in Canada.
Comparative Literature: Theory, Method, Application
This book serves several purposes, all very much needed in today's embattled situation of the humanities and the study of literature. First, in Chapter One, the author proposes that the discipline of Comparative Literature is a most advantageous approach for the study of literature and culture as it is a priori a discipline of cross-disciplinarity and of international dimensions. After a Manifesto for a New Comparative Literature, he proceeds to offer several related theoretical frameworks as a composite method for the study of literature and culture he designates and explicates as the systemic and empirical approach. Following the introduction of the proposed New Comparative Literature, the...
