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Psalm Culture and Early Modern English Literature examines the powerful influence of the biblical Psalms on sixteenth- and seventeenth-century English literature. It explores the imaginative, beautiful, ingenious and sometimes ludicrous and improbable ways in which the Psalms were 'translated' from ancient Israel to Renaissance and Reformation England. No biblical book was more often or more diversely translated than the Psalms during the period. In church psalters, sophisticated metrical paraphrases, poetic adaptations, meditations, sermons, commentaries, and through biblical allusions in secular poems, plays, and prose fiction, English men and women interpreted the Psalms, refashioning them according to their own personal, religious, political, or aesthetic agendas. The book focuses on literature from major writers like Shakespeare and Milton to less prominent ones like George Gascoigne, Mary Sidney Herbert and George Wither, but it also explores the adaptations of the Psalms in musical settings, emblems, works of theology and political polemic.
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In order to reconcile the discrepancies between ancient and modern cosmology, confessional scholars from every viewpoint on the interpretation of the early chapters of Genesis agree that God accommodated language to finite human understanding. But in the history of interpretation, no consensus has emerged regarding what accommodation entails at the linguistic level. More precise consideration of how the ancient cognitive environment functions in the informative intention of the divine and human authors is necessary. Not only does relevance theory validate interpretative options that are inherently most probable within the primary communication situation, but the application of relevance theory can also help disentangle the complexities of dual authorship inherent in any model of accommodation. The results also make a salutary contribution to the theological reading of Scripture.
Hearings were held in Salt Lake City, Utah.
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