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A struggling lawyer. A bitter custody battle. A deadly fire. This case could cost Kenzi her career—and her life. Kenzi Rivera is furious. Passed over for promotion at her own father’s firm, the talented divorce lawyer is tired of fighting chauvinism every single day. When a desperate scientist begs for help getting her daughter back, Kenzi can’t resist… even though this client is involved in Hexitel, a group she calls her religion but others call a cult. Kenzi uncovers evidence of disturbing practices at Hexitel involving large sums of money, servitude, and sex. She also learns her client’s lab has been plagued by death threats and cutthroat competition. After the workplace burns to the ground and her client is charged with murder, the ambitious attorney knows there is much more at stake than a simple custody dispute. Can Kenzi find a path to the truth before she’s trapped in a maze of death? Splitsville is the dramatic first book in the Splitsville Legal Thriller series. If you like gutsy heroines, diverse characters, and page-turning suspense, then you’ll love William Bernhardt’s twisty tale. Buy Splitsville and strike a blow for justice!
Oklahoma attorney Ben Kincaid put his reputation on the line when he represented Ray Goldman. The seemingly mild-mannered industrial chemist was charged with a brutal crime: the torture and massacre of an entire suburban Tulsa family. Seven years later, Goldman's date with the death chamber is at hand.
All fiction is character-driven, according to William Bernhardt, despite what you might have heard elsewhere. If your characters don’t interest readers, even the most exciting plots will fail. “Action is character,” Aristotle wrote, but what does that mean, and how can you use that fundamental principle to create dynamic fiction that will captivate readers? This book explains the relationship between character and plot, and how the perfect melding of the two produces a mesmerizing story. Using examples spanning from The Odyssey to The Da Vinci Code, Bernhardt discusses the art of character creation in a direct and easily comprehended manner. The book also includes exercises designed to...
DIVRetired from law, Ben Kincaid is forced to return to the bar when a case—and a corpse—fall in his lap/divDIV After years of struggling, Ben Kincaid shuts down his small legal office and decides to make a living doing something that—compared to practicing law in Tulsa—is easy money: playing jazz piano. He buys a minivan to haul his gear, and gets steady gigs playing in a combo at Uncle Earl’s Jazz Emporium. His new career is just starting to take off when a body falls from the Emporium ceiling, knocking the wind out of Kincaid and sending him right back to his old profession./divDIV /divDIVThe dead woman is Cajun Lily Campbell, a grand dame of the Tulsa music scene and onetime girlfriend of Uncle Earl himself. And Kincaid must be careful as he readies the old jazzman’s defense, because there is a killer on the north side of town who would like nothing more than to hear the piano player’s last tune./div
A lawyer must defend a mayor accused of murdering his family: “Bernhardt again proves himself master of the courtroom drama” (Library Journal). With his winning smile, acting experience, and history as one of the best quarterbacks Oklahoma University has ever seen, Wally Barrett had no trouble becoming Tulsa’s first black mayor. But this perfect politician has a dark side, too. One afternoon at an ice cream parlor, a dozen people watch as he nearly hits his wife during an argument about their children. That same night, a neighbor calls the police after hearing screams from inside the mayor’s house. The patrolman discovers the first lady and her children murdered, and the mayor nowhere to be found. Barrett is captured after a high-speed chase, insensible and covered in blood. The only person willing to defend him is Ben Kincaid, a struggling defense lawyer with a history of winning impossible cases. But when the national media descends on Tulsa, Kincaid will have to do something he’s never done before, and oversee an increasingly wild three-ring circus.
A lawyer investigates the murder of an aspiring adoptive father: “A climax that will take most readers by surprise” (Chicago Tribune). It’s Ben Kincaid’s first day as an associate at corporate giant Raven, Tucker & Tubb, and he’s ready to start the long climb up the ladder to partnership. But he’s barely cleared the first rung when a body trips him up. Ben’s first task is to arrange an adoption for one of the firm’s biggest clients—a bit of grunt work that becomes interesting when he meets the child in question. Emily suffers from Korsakov’s Syndrome, a rare disorder that prevents her from forming memories, and Jonathan and Bertha Adams want nothing more than to raise her as their own. But Kincaid has just begun getting the paperwork together when he gets a chilling phone call: Jonathan has been found dead, hacked to pieces in an alleyway. Investigating the killing will take Kincaid down a fearsome path, leading him to wish that, like Emily, he had the power to forget.
When a priest with radical ideas and a parish council with traditional values lock horns over the beliefs they hold most sacred, there’s bound to be controversy—and consequences. But murder crosses the line between committing a sin and committing a crime, turning a battle over faith into a battle for justice. And smack in the middle of the explosive case is Tulsa attorney Ben Kincaid. Kincaid rescued Father Daniel Beale once before. When the priest’s renegade views and violent temper nearly cost him his position as rector of St. Benedict’s Church, Ben intervened and saved the day. Now Beale is the prime suspect in the brutal murder of a female parishioner—though lack of evidence ha...
“Writing is structure,” William Goldman said, but too often aspiring writers plunge into their work without grasping this fundamental principle. Story structure is one of the most important concepts for a writer to understand—and ironically, one of the least frequently taught. In this book, New York Times-bestselling author William Bernhardt explains the elements that make stories work, using examples spanning from Gilgamesh to The Hunger Games. In each chapter, he introduces essential concepts in a direct and easily comprehended manner. Most importantly, Bernhardt demonstrates how you can apply these ideas to improve your own writing. William Bernhardt is the author of more than fifty...
"A thoroughly entertaining page-turner." --Phillip Margolin Leeman Hayes, a black teenager in Tulsa, is accused of brutally murdering a young woman. As attorney Ben Kincaid struggles to pull together a defense, a young boy is falling into the clutches of a child molester. Ten-year-old Abie Rutherford, lonely and desperate for approval, thinks the handsome, smiling stranger in the baseball cap might be that friend he has longed for. When Abie Rutherford vanishes without a trace one hot summer day, Ben Kincaid, like everyone else in Tulsa, fears the worst. Then a bone-chilling discovery compels Ben to forge a link between the missing boy and the seemingly hopeless case of Leeman Hayes--thereby igniting the fuse for the most explosive courtroom case of Ben's career. "An enthralling murder mystery . . . The ending is both surprising and explosive." --The Sunday Oklahoman