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Songs of Innocence
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The Grave. a Poem
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
William Blake on His Poetry and Painting
Blake was not only a poet, but also a prolific commentator on both his own art and art in general. This is the first text to discuss all of the writings except the annotations to Reynolds' Discourses, covered in a previous volume, Blake's Margins (McFarland, 2009). Topics include his opinions on his predecessors and his contemporaries, his reaction to critics, and his artistic intentions. This valuable addition to Blake scholarship includes reproductions of some of the drawings and paintings in Blake's one exhibition of 1809, plus reproductions of other prose texts by Blake.
The Blank Screen
Everybody tells you that you must have a website and you must have a blog but nobody tells you how - or why. In this book you will learn the key steps to creating your blog but, more importantly, what you can use one for and how it will become an important part of your creative work. BBC writer William Gallagher shows you how to write a blog that people will read - and then how to keep on writing new entries. See how to write fast blogs and more considered ones. How to make a blog that works for you because it works for your readers.
Poetical Sketches
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William Morris: Seaweed (Foiled Quarto Journal)
New title in the Flame Tree Foiled Quarto Journal collection, combining beautiful art with high-quality production: bleed-proof, acid-free FSC pages, a pocket, ribbon bookmarks and a magnetic flap. Perfect as a gift or for all notetakers, list-makers and journal users. A FLAME TREE NOTEBOOK. Beautiful and luxurious the Foiled Quarto Journals combine high-quality production and FSC pages with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, list-makers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. A NEW SERIES. The Quarto format is named after the ...
Shakesplish
For all that we love and admire Shakespeare, he is not that easy to grasp. He may have written in Elizabethan English, but when we read him, we can't help but understand his words, metaphors, and syntax in relation to our own. Until now, explaining the powers and pleasures of the Bard's language has always meant returning it to its original linguistic and rhetorical contexts. Countless excellent studies situate his unusual gift for words in relation to the resources of the English of his day. They may mention the presumptions of modern readers, but their goal is to correct and invalidate any false impressions. Shakesplish is the first book devoted to our experience as modern readers of Early Modern English. Drawing on translation theory and linguistics, Paula Blank argues that for us, Shakespeare's language is a hybrid English composed of errors in comprehension—and that such errors enable, rather than hinder, some of the pleasures we take in his language. Investigating how and why it strikes us, by turns, as beautiful, funny, sexy, or smart, she shows how, far from being the fossilized remains of an older idiom, Shakespeare's English is also our own.
Lists and Indexes
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