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Given the important role that the Portuguese played in the Persian Gulf from 1507 to 1720, knowing what is available about their activities in this area is not only of importance to those interested in the history of Portugal, but also of those interested in the history of Bahrein, Iran, Iraq, Oman, Qatar, eastern Saudi Arabia and the United Arab Emirates. This bibliography of printed published works therefore contains a full list of primary and secondary sources, not only in Western languages, but also in Persian, Arabic and Turkish. It aims to facilitate the work of scholars and students, but also of the non-specialist, i.e. those among the general public who want to know more about this part of the world during the sixteenth and seventeenth centuries and about the activities of the Portuguese. Although other bibliographies exist that include the activities of the Portuguese in the Persian Gulf, all are in need of updating, and none are as comprehensive as this bibliography.
Language is the central concern of this book. Colonization, poetry and Shakespeare – and the Renaissance itself – provide the examples. I concentrate on text in context, close reading, interpretation, interpoetics and translation with particular instances and works, examining matters of interpoetics in Renaissance poetry and prose, including epic, and the Hugo translation of Shakespeare in France and trying to bring together analysis that shows how important language is in the age of European expansion and in the Renaissance. I provide close analysis of aspects of colonization, front matter (paratext) in poetry and prose, and Shakespeare that deserve more attention. The main themes and objectives of this book are an exploration of language in European colonial texts of the “New World,” paratexts or front matter, Renaissance poetry and Shakespeare through close reading, including interpoetics (liminality), translation and key words.
Francis M. Rogers, to whom the current volume is in honor of, may be a modest man in principle, but not in his academic pursuits. To call his interests broad in scope is no exaggeration as they cover the fields of linguistics, literature, philology, bibliography, travel narratives and celestial navigation, which is nicely reflected in this volume. Part I concerns general and Luso-Brazilian linguistics (Bernard H. Bichakjian, John B. Jensen, Anthony J. Naro, Joseph M. Piel, Cléa Rameh); Part II Medieval studies: Sheila R. Ackerlind, Donald Stone Jr., Paolo Valesio, Joan B. Williamson; Part III Luso-Brazilian literature (Memória de Lázaro, Frederick C.H. Garcia, David T. Haberly, Jane M. Malinoff, Noami Hoki Moniz, Maria Luisa Nunes, Noêl W. Ortega, Raymond S. Sayers, Nelson H. Vieira); and Part IV on travel literature (Mary M. Rowan, Charity Cannon Willard). This volume also contains a complete bibliography of the writings of Francis M. Rogers.
Letters, narratives, and extracts from diaries, etc. of 1500-01, chiefly of Portuguese and Venetian origin, translated, with introduction and notes. This is a new print-on-demand hardback edition of the volume first published in 1938.
The first comprehensive cultural history of Brazil to be written in English, Brazil Imagined: 1500 to the Present captures the role of the artistic imaginary in shaping Brazil's national identity. Analyzing representations of Brazil throughout the world, this ambitious survey demonstrates the ways in which life in one of the world's largest nations has been conceived and revised in visual arts, literature, film, and a variety of other media. Beginning with the first explorations of Brazil by the Portuguese, Darlene J. Sadlier incorporates extensive source material, including paintings, historiographies, letters, poetry, novels, architecture, and mass media to trace the nation's shifting sense of its own history. Topics include the oscillating themes of Edenic and cannibal encounters, Dutch representations of Brazil, regal constructs, the literary imaginary, Modernist utopias, "good neighbor" protocols, and filmmakers' revolutionary and dystopian images of Brazil. A magnificent panoramic study of race, imperialism, natural resources, and other themes in the Brazilian experience, this landmark work is a boon to the field.
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Exploring the presence and meanings of these birds in the art, literature, and history of Western civilization, Parrot Culture traces the unusual history of parrots from their introduction in the Graeco-Roman world, through the great age of New World exploration, to the contemporary ecological crisis of globalism.
A fully revised third edition of More's Utopia - one of the most influential texts in the western philosophical and literary tradition.