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William Montague Browne
E. Merton Coulter's biography of William Montague Browne portrays the life of an Irish journalist living in the north who moved south to adopt the Confederate cause. Born in County Mayo, Ireland, Browne moved to the U. S. in 1852 to be an editor at the New York Journal of Commerce. In 1859 he moved to Washington, D.C., where he edited and owned the Washington Constitution. As a journalist, Browne was an ardent champion of the southern cause and when Georgia seceded he moved south. During the Civil War he served as Director of Conscription in Georgia, aide-de-camp to President Davis, and brigadier general. Browne also took part in the defense of Savannah. After the war, Browne moved to Athens, Georgia, where he edited the Southern Banner, studied law, was admitted to the Georgia bar, and tried farming on a plantation in Oglethorpe County. Later he founded and edited the Southern Farm and Home and became secretary of the Carolina Life Insurance Co., of which Jefferson Davis was president. After the failure of this company, Browne returned to Athens and was elected the first Professor of History and Political Science at the University of Georgia.
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Annual Report - United Church Board for World Ministries
Vols. for 1970- include "Calendar of prayer" with directory of missionaries (formerly called pt. 3)
American Glass
"Glass can be decorative or utilitarian, and its forms often reflect technological innovations and social change. Drawing on an insightful selection from the Yale University Art Gallery and other collections at Yale, American Glass illuminates the vital and often intimate roles that glass has played in the nation's art and culture. Spectacularly illustrated, the publication showcases eighteenth-century mold-blown vessels, nineteenth-century pressed glass, innovative studio work, and luminous stained-glass windows by John La Farge and Louis Comfort Tiffany, the latter reproduced as a lush gatefold. These are considered alongside beguiling objects that broaden our expectations of glass and speak to the centrality of the medium in American life, including one of the oldest complex microscopes in the United States, an early Edison light bulb, glass-plate photography, jewelry, and more. With an essay on the history of collecting American glass and discussions of each object that present new scholarship, this engaging book tells the long and rich history of glass in America--from prehistoric minerals to contemporary sculptures"--Dust jacket front flap.
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