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Death and Drama in Renaissance England
Table of contents
Mapping Mortality
This book is a cultural study of the ways men and women in early modern England confronted, accommodated, and paid tribute to mortal life and certain death. Drawing on prose and poetry, painting and statuary, social practices and religious rites, William Engel reopens central questions about Renaissance habits of thought. He explores how the metaphorics of that period signaled and enacted a continual revelation of mortality: the death of the body (figured as a kind of vehicle) and the eternality of the soul (that which was to be transported). Engel argues that early modern metaphorics was essentially mnemonic and emblematic, grounding itself in the relation of body and soul. Building on the work of Benjamin, Heidegger, Derrida, Baudrillard, and Eliade, the book provides contemporary readers with a key for recovering and understanding the critical assumptions underlying a mnemonically oriented principle of aesthetics.
Marian Engel
Admired by a generation of Canadian authors and critics, Marian Engel was a writer's writer. This compilation offers an incomparable view into Canadian literature from 1965 to Engel's early death in 1985.
The Memory Arts in Renaissance England
Anthology of a selection of early modern works on memory.
Marian Engel’s Notebooks
Marian Engel emerged as a writer during that period in Canada when nationalism increased and “new feminism” dawned. Although she is recognized as a distinguished woman of letters, she has not been widely studied; consequently we know relatively little about her and her craft. The material collected in Marian Engel’s Notebooks: “Ah, mon cahier, écoute...” is a major step in redressing that neglect. Extracts carefully chosen by Christl Verduyn from Marian Engel’s forty-nine notebooks — notebooks Engel began in the late 1940s and which she maintained until her death in 1985 — track Engel’s creative development, illustrate her commitment to the craft of writing and document he...
Early Modern Poetics in Melville and Poe
Bringing to bear his expertise in the early modern emblem tradition, William E. Engel traces a series of self-reflective organizational schemes associated with baroque artifice in the work of Herman Melville and Edgar Allan Poe. While other scholars have remarked on the influence of seventeenth-century literature on Melville and Poe, this is the first book to explore how their close readings of early modern texts influenced their decisions about compositional practice, especially as it relates to public performance and the exigencies of publication. Engel's discussion of the narrative structure and emblematic aspects of Melville's Piazza Tales and Poe's "The Raven" serve as case studies that...
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