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The leading figure in the development of cyberpunk, William Gibson (born in 1948) crafted works in which isolated humans explored near-future worlds of ubiquitous and intrusive computer technology and cybernetics. This volume is the first comprehensive examination of the award-winning author of the seminal novel Neuromancer (and the other books in the Sprawl trilogy, Count Zero and Mona Lisa Overdrive), as well as other acclaimed novels including recent bestsellers Pattern Recognition, Spook Country, and Zero History. Renowned scholar Gary Westfahl draws upon extensive research to provide a compelling account of Gibson's writing career and his lasting influence in the science fiction world. ...
William Gibson, author of the cyberpunk classic, Neuromancer (1984), is one today's most widely read science fiction writers. This companion is meant both for general readers and for scholars interested in Gibson's oeuvre. In addition to providing a literary and cultural context for works ranging from Gibson's first short story, "Fragments of a Hologram Rose" (1977), to his recent, bestselling novel, Zero History (2010), the companion offers commentary on Gibson's subjects, themes, and approaches. It also surveys existing scholarship on Gibson's work in an accessible way and provides an extensive bibliography to facilitate further study of William Gibson's writing, influence, and place in the history of science fiction and in literature as a whole.
THE SUNDAY TIMES BESTSELLING NOVEL FROM WILLIAM GIBSON, THE INTERNATIONALLY BESTSELLING AUTHOR OF NEUROMANCER ----- San Francisco, 2017. Clinton's in the White House, Brexit never happened - and Verity Jane's got herself a new job. They call Verity 'the app-whisperer,' and she's just been hired to evaluate a pair-of-glasses-cum-digital-assistant called Eunice... Only Eunice has other ideas. Pretty soon, Verity realises that Eunice is smarter than anyone she's ever met. Which is just as well since suddenly some very bad people are after Verity. Meanwhile, in a post-apocalyptic London a century from now, PR fixer Wilf Netherton is tasked with interfering in the alternative past in which Verity...
Lance Olsen's discerning critique was the first extended study ever published on the work of William Gibson, whose mindbending science fiction novel, Neuromancer (1984), created the subgenre of Cyberpunk, and became the first novel to win the Hugo, Nebula, and Philip K. Dick Awards for best SF novel of the year. Olsen covers Gibson's major early works, including Neuromancer, Burning Chrome, Count Zero, and Mona Lisa Overdrive. Complete with bibliography, notes, and index.
Originally published by G.P. Putnam's Sons in 2014.
William Gibson is frequently described as one of the most influential writers of the past few decades, yet his body of work has only been studied partially and without full recognition of its implications for literature and culture beyond science fiction. It is high time for a book that explores the significance and wide-ranging impact of Gibson’s fiction. In the 1970s and 80s, Gibson, the “Godfather of Cyberpunk,” rejuvenated science fiction. In groundbreaking works such as Neuromancer, which changed science fiction as we knew it, Gibson provided us with a language and imaginary through which it became possible to make sense of the newly emerging world of globalization and the digital and media age. Ever since, Gibson’s reformulation of science fiction has provided us not just with radically innovative visions of the future but indeed with trenchant analyses of our historical present and of the emergence and exhaustion of possible futures. Contributors: Maria Alberto, Andrew M. Butler, Amy J. Elias, Christian Haines, Kylie Korsnack, Mathias Nilges, Malka Older, Aron Pease, Lisa Swanstrom, Takayuki Tatsumi, Sherryl Vint, Phillip E. Wegner, Roger Whitson, Charles Yu
Distrust That Particular Flavor - an acclaimed nonfiction collection by William Gibson, bestselling author of Neuromancer 'The future's already here: it's just not evenly distributed' William Gibson was writing fiction when he predicted the internet. And as his stories bled into reality so he became one of the first to report on the real-world consequences of cyberspace's growth and development. Now, with the dust settling on the first internet revolution, comes Gibson's first collection of non-fiction - essays from the technological and cultural frontiers of this new world. Covering a variety of subjects, they include: - Metrophagy - the Art and Science of Digesting Great Cities - An accoun...
Former rock singer Hollis Henry has lost a lot of money in the crash, which means she can't turn down the offer of a job from Hubertus Bigend, sinister Belgian proprietor of mysterious ad agency Blue Ant. Milgrim is working for Bigend too. Bigend admires the ex-addict's linguistic skills and street knowledge so much that he's even paid for his costly rehab. So together Hollis and Milgrim are at the front line of Bigend's attempts to get a slice of the military budget, and they gradually realize he has some very dangerous competitors. Which is not a great thought when you don't much trust your boss either. Gibson's new novel, set largely in London, spookily captures the paranoia and fear of our post-Crash times.
It's only called paranoia if you can't prove it. Cayce is in London to work. Her pathological sensitivity to brands makes her the perfect divining rod for an ad agency that wants to east a new logo. But when she is co-opted into the search for the creator of a strangely addictive on-line film, Cayce wonders if she has done the right - or indeed, safe - thing. And that's before violence, Japanese computer crazies and Russian Mafia men are in the mix. But she wants to discover the source of the film too, and the truth of her father's disappearance in New York, two years ago. And from the way people are trying to stop her, it looks like she's getting close . . .
“After reading Neuromancer for the first time,” literary scholar Larry McCaffery wrote, “I knew I had seen the future of [science fiction] (and maybe of literature in general), and its name was William Gibson.” McCaffery was right. Gibson's 1984 debut is one of the most celebrated SF novels of the last half century, and in a career spanning more than three decades, the American-Canadian science fiction writer and reluctant futurist responsible for introducing “cyberspace” into the lexicon has published nine other novels. Editor Patrick A. Smith draws the twenty-three interviews in this collection from a variety of media and sources—print and online journals and fanzines, academ...