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Lavishly illustrated with masterworks by such noted artists as Chase, Hassam, Twachtman, and Frieseke, this is the classic work on an increasingly popular subject. 400 illustrations, 200 in full color. Copyright © Libri GmbH. All rights reserved.
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Lavishly illustrated, meticulously researched, and gracefully written, this definitive study of California's distinctive style of impressionism surveys the movement's sources abroad, its most influential artists, and the critical responses to the style. 248 illustrations, 201 in color.
An expanded and revised edition of this elegant and definitive volume, which helped establish the ever-growing passion for American Impressionism. This book has long satisfied the ever-growing passion for American Impressionism. It is the definitive study of the subject, filled with information and insight garnered through many years of far-ranging research. All the masterworks are here, from Childe Hassam's sun-drenched gardens to John Twachtman's snow-silenced landscapes, from Edmund Tarbell's coolly elegant ladies in dim, luxurious parlors to Frederick Friseke's voluptuous, sun-dappled nudes. Documentary photographs of the artists and quotations from their private letters and journals complement the text and provide a vivid sense of their lives and times. The fascinating text is now updated and expanded with a new chapter discussing in detail the themes particular to the American artists of the Impressionist movement. Twenty-five new illustrations have been added, nineteen in color. Three hundred entries have been added to the bibliography, bringing it up to date with the most current research in the field.
"Presenting, interpreting, and celebrating the world-renowned and the lesser-known California artists who have uniquely defined and redefined the still life, this volume offers an exploration of the sensual pleasures, the aesthetic challenges, and the intellectual and perceptual associations of a century of art through the prism of a single genre."--BOOK JACKET.
This landmark book, the first major study of one of America's eminent Impressionists, examines the life and work of Theodore Clement Steele (1847-1926). Born in a "little log house in an orchard" near Gosport, Indiana, T. C. Steele had a lifelong love affair with the Indiana landscape, but the timeless universality of his picture-making provides his depictions of the midwestern landscape and cityscape with a welcoming familiarity that appeals to all lovers of art and nature. The thirty-eight color paintings selected for this volume, many of which have never been reproduced before, celebrate not only the beauties of Indiana but those Steele observed in his travels to Germany and the Pacific Northwest. The superb color reproductions, which capture the subtle interaction of form, color, and light in Steele's poetic and masterfully executed images reveal the universality and "beauty, harmony and order" that have earned his art renewed critical attention in recent years.
Showcasing a treasured private collection amassed over several decades, this publication represents the beauty and complexity of still-life painting in the United States. More than 65 works from the Hevrdejs collection, many of which have never been on public view, are accompanied by comprehensive and accessible explanations that contextualize their role in the ongoing development of the genre. Featuring works by prominent and diverse artists such as Raphaelle Peale, Thomas Hart Benton, Georgia O'Keeffe, and Andrew Wyeth, this study expands the overall notion of the still life by examining its use in a variety of painting styles from the 19th century to the present day. With color illustrations and an essay and entries by a distinguished scholar, this book demonstrates why the genre has been a compelling preoccupation for American artists over two centuries. Distributed for the Museum of Fine Arts, Houston Exhibition Schedule: The Museum of Fine Arts, Houston (01/14/17-04/09/17) Memphis Brooks Museum of Art (04/20/17-07/30/17) Tacoma Museum of Art (October 2017-January 2018)
The treatment of the nude in American art.