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History and prehistory come alive in this extraordinary account of America as it was before it got its name. William H. MacLeish paints a heart-rending portrait of the lush, miraculous New World on the eve of the Encounter - the arrival of the first Europeans, after which nothing would be the same. Drawing on the work of anthropologists, geologists, and other academic experts, MacLeish roams over 18,000 years of the continent's history, exploring the role of climate and human activity in preparing the world that we have inherited. The Day Before America is studded with fascinating information on the awesome changes wrought by the ice age (and the inevitability of its return), the ecological effects of hunting and early agriculture, the astonishing variety of Indian civilizations, and the transformations in the continent's nature over the past five hundred years. It is a book informed by a deep commitment to the wonder and sacredness of the natural world. At bottom, it is a statement of belief in an unsentimental environmentalism - an effort to see our world in the longest view, and to value it all the more for that.
A nontechnical book about the Gulf Stream, one of the most fascinating forces of nature on the globe.
An intimate look at war through the lives of soldiers and their families at Fort Hood Making War at Fort Hood offers an illuminating look at war through the daily lives of the people whose job it is to produce it. Kenneth MacLeish conducted a year of intensive fieldwork among soldiers and their families at and around the US Army's Fort Hood in central Texas. He shows how war's reach extends far beyond the battlefield into military communities where violence is as routine, boring, and normal as it is shocking and traumatic. Fort Hood is one of the largest military installations in the world, and many of the 55,000 personnel based there have served multiple tours in Iraq and Afghanistan. MacLe...
In the mid-1930s, two Irish Americans travel to the Albanian highlands with an early model of a marvelous invention, the tape recorder. Their mission? To discover how Homer could have composed works as brilliant and as long as The Iliad and The Odyssey without ever putting pen to paper. The answer, they believe, can be found only in Albania, the last remaining habitat of the oral epic. But immediately upon their arrival, the scholars’ seemingly arcane research excites suspicion and puts them at the center of ethnic strife in the Balkans. Mistaken for foreign spies, they are placed under surveillance and are dogged by gossip and intrigue. It isn’t until a fierce-eyed monk from the Serbian side of the mountains makes his appearance that the scholars glimpse the full political import of their search for the key to the Homeric question.
The story behind the 1940s Commission on Freedom of the Press—groundbreaking then, timelier than ever now "A well-constructed, timely study, clearly relevant to current debates."—Kirkus, starred review In 1943, Time Inc. editor-in-chief Henry R. Luce sponsored the greatest collaboration of intellectuals in the twentieth century. He and University of Chicago president Robert Maynard Hutchins summoned the theologian Reinhold Niebuhr, the Pulitzer-winning poet Archibald MacLeish, and ten other preeminent thinkers to join the Commission on Freedom of the Press. They spent three years wrestling with subjects that are as pertinent as ever: partisan media and distorted news, activists who silence rather than rebut their opponents, conspiracy theories spread by shadowy groups, and the survivability of American democracy in a post-truth age. The report that emerged, A Free and Responsible Press, is a classic, but many of the commission’s sharpest insights never made it into print. Journalist and First Amendment scholar Stephen Bates reveals how these towering intellects debated some of the most vital questions of their time—and reached conclusions urgently relevant today.
The period between 1920 and 1950 saw an epochal shift in the American cultural economy. The shocks of the 1929 market crash and the Second World War decimated much of the support for high modernist literature, and writers who had relied on wealthy benefactors were forced to find new protectors from the depredations of the free market. Private foundations, universities, and government organizations began to fund the arts, and in this environment writers were increasingly obliged to become critics, elucidating and justifying their work to an audience of elite administrators. In Poet-Critics and the Administration of Culture, Evan Kindley recognizes the major role modernist poet-critics played ...
The best of Edwin Arlington Robinson's poetry rings with a lyrical and emotional purity and singularity that should assure his place as one of the treasured poets of his generation ... Scott Donaldson's book should help to revive appreciation for this solitary figure and the unique resonance of his work. --W.S. Merwin.
A warm, witty, and heartfelt retelling of ancient legend in pointedly modern terms. Roderick MacLeish's Prince Ombra has become a modern classic of its kind, taking its place beside such works as The Phantom Tollbooth and The Neverending Story as an outstanding example of modern myth-making at its best.
In The Impossible Craft, Scott Donaldson explores the rocky territory of literary biography, the most difficult that biographers try to navigate. Writers are accustomed to controlling the narrative, and notoriously opposed to allowing intruders on their turf. They make bonfires of their papers, encourage others to destroy correspondence, write their own autobiographies, and appoint family or friends to protect their reputations as official biographers. Thomas Hardy went so far as to compose his own life story to be published after his death, while falsely assigning authorship to his widow. After a brief background sketch of the history of biography from Greco-Roman times to the present, Dona...