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The Slave Master of Trinidad
William Hardin Burnley (1780–1850) was the largest slave owner in Trinidad during the nineteenth century. Born in the United States to English parents, he settled on the island in 1802 and became one of its most influential citizens and a prominent agent of the British Empire. A central figure among elite and moneyed transnational slave owners, Burnley moved easily through the Atlantic world of the Caribbean, the United States, Great Britain, and Europe, and counted among his friends Alexis de Tocqueville, British politician Joseph Hume, and prime minister William Gladstone. In this first full-length biography of Burnley, Selwyn R. Cudjoe chronicles the life of Trinidad's "founding father" and sketches the social and cultural milieu in which he lived. Reexamining the decades of transition from slavery to freedom through the lens of Burnley's life, The Slave Master of Trinidad demonstrates that the legacies of slavery persisted in the new post-emancipation society.
Black Resettlement and the American Civil War
The first comprehensive, comparative account of nineteenth-century America's efforts to resettle African Americans outside the United States.
At Last
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Why the Haves Come Out Ahead
This is the fortieth anniversary edition of a classic of law and society, updated with extensive new commentary. Drawing a distinction between experienced “repeat players” and inexperienced “one shotters” in the U.S. judicial system, Marc Galanter establishes a recognized and applied model of how the structure of the legal system and an actor’s frequency of interaction with it can predict outcomes. Notwithstanding democratic institutions of governance and the “majestic equality” of the courts, the enactment and implementation of genuinely redistributive measures is a hard uphill struggle. In one of the most-cited essays in the legal literature, Galanter incisively demolishes th...
Our Burnley Ancestors and Allied Families
Burnley Family
Light Falling on Bamboo
Trinidad, 1865. Michel Jean Cazabon returns home to be at his beloved mother's deathbed. Life on the island seems very different after the freedoms of post-Revolutionary Paris, where his paintings have hung in the Louvre. Despite the Emancipation Act, his childhood home is in the grip of colonial power, its people riven by the legacy of slavery. Michel Jean finds himself caught between the powerful and the dispossessed. As an artist, he enjoys the governor's patronage, painting for him the island's vistas and its women; as a Trinidadian he shares easy wisdom and nips of rum with the local boat-builders.
Dictionary of Books relating to America
Reprint of the original, first published in 1870.
