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1856. Eighteen-year-old chemistry student William Perkin's experiment has gone horribly wrong. But the deep brown sludge his botched project has produced has an unexpected power: the power to dye everything it touches a brilliant purple. Perkin has discovered mauve, the world's first synthetic dye, bridging a gap between pure chemistry and industry which will change the world forever. From the fetching ribbons soon tying back the hair on every fashionable head in London, to the laboratories in which scientists first scrutinized the human chromosome under the microscope, leading all the way to the development of modern vaccines against cancer and malaria, Simon Garfield's landmark work swirls together science and social history to tell the story of how one colour became a sensation.
Many years ago, the color purple was available only to a privileged few because the process was very complicated and expensive. Then in 1856, a boy named William Henry Perkin was testing a hypothesis about a cure for malaria and found that his experiment resulted in something else--something vivid and rare for the times: synthetic purple. Perkin, a pioneer of the modern scientific method, made numerous advances possible, including canned food and chemotherapy. But it was his creation of purple that started it all. This book is a joyous celebration of Perkin's impactful purple.--
Alexander Paul's 'The Practical Ostrich Feather Dyer' serves as an intricate manual delving into the nuanced art of dyeing ostrich feathers, a once-vital trade skill reflective of fashion sensibilities in certain historic periods. The book meticulously covers the techniques, from preparation to coloring, thereby preserving this nearly lost art form for contemporary readers. Utilizing a descriptive and instructional literary style, Paul not only ensures that the practices of the past are not forgotten but also provides a context for these practices in today's world of costume design and decoration, delivering an unexpected yet indispensable reference for those interested in the intersection o...
Perkins, a former chief economist at a Boston strategic-consulting firm, confesses he was an "economic hit man" for 10 years, helping U.S. intelligence agencies and multinationals cajole and blackmail foreign leaders into serving U.S. foreign policy and awarding lucrative contracts to American business.
Working from the text of Exodus 22:18, "Thou shalt not suffer a Witch to live," Perkins delivers one of the most penetrating discourses on the subject of the devil, witchcraft and the occult in its various forms. He sets forth this treatise showing that witchcraft was a common sin in his own day, and it is, no doubt, a common sin in our day. He demonstrates the diverse ways that Satan uses witchcraft in its various forms, and shows how people of all kinds can be involved in the occult, either by entering into a covenant with Satan willfully, or they may enter into a league with Satan unintentionally, through superstition. He covers four main points: 1) What witchcraft is, 2) What is the ground of the practice of witchcraft, 3) How many kinds and differences there are of witchcraft, and 4) Its punishment. This is a powerful, biblical exposition of the Law of God and its application concerning this topic. This is not a scan or a facsimile, but a newly typeset work updated and made easily readable, with an active table of contents.
Over the years, tales about the creative process have flourished-tales of sudden insight and superior intelligence and personal eccentricity. Coleridge claimed that he wrote "Kubla Khan" in one sitting after an opium-induced dream. Poe declared that his "Raven" was worked out "with the precision and rigid consequence of a mathematical problem." D. N. Perkins discusses the creative episodes of Beethoven, Mozart, Picasso, and others in this exploration of the creative process in the arts, sciences, and everyday life. Table of Contents: A Parable 1. Witnesses to Invention 2. Creative Moments 3. Ways of the Mind 4. Critical Moments 5. Searching For 6. Plans Down Deep 7. Plans Up Front 8. Lives o...
In The Art of Prophesying, Puritan William Perkins (1558-1602) teaches how to preach the Word with "studied plainness," not relying on technique or soaring flourishes of oratory, but rather by unleashing the majestic power of the unencumbered Word of God. Unlike so much of the milquetoast preaching heard today, Perkins teaches how to utilize the Scripture in all its capacities: for teaching correct doctrine, for reproof and correction, and for training the godly in righteousness (2 Timothy 3:16). This type of preaching changed lives during Perkins' lifetime, and it has the same effect today. Includes a biographical preface by Benjamin Brook. Scripture references (from the ESV) are embedded in the text as hyperlinks--no internet connection required.
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