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So Long, See You Tomorrow
WITH AN INTRODUCTION BY ANN PATCHETTIn rural Illinois two tenant farmers share much, finally too much, until jealously leads to murder and suicide. A tenuous friendship between lonely teenagers - the narrator, whose mother has died young, and Cletus Smith, the troubled witness to his parent's misery - is shattered. Fifty years on, the narrator mourns words left unsaid, and attempts a reconstruction of those devastating events and the atonement of a lifetime's regret.
William Maxwell: Later Novels and Stories (LOA #184)
On the centennial of William Maxwell's birth, here is the second volume in a two- volume collected edition that reveals the full range of an extraordinary literary voice, a voice that John Updike has called "one of the wisest in American fiction . . . as well as one of the kindest." In Later Novels and Stories, Maxwell deepens his connection to his signature subject matter even as he broadens his canvas. The Château (1961) describes the most subtle and bittersweet encounter of American naiveté and Old World mystery since Henry James. So Long, See You Tomorrow, Billie Dyer (1992) and eleven other works of short fiction, some never before collected. The volume concludes with forty brief "imp...
They Came Like Swallows
Discover William Maxwell’s classic, heart-breaking portrait of an ordinary American family struck by the 1918 Spanish Flu pandemic 'A story of such engaging warmth that it would thaw the heart of any critic... Will melt many a reader to tears’ TIME Elizabeth Morison is an ordinary woman. Yet, to eight-year-old Bunny, his mother is the centre of his universe. To Robert, her elder son, she is someone he must protect against the dangers of the outside world. And to her husband, James, she is the foundation on which his family rests and life without her is unimaginable. As the dark winter of 1918 dawns and the shadow of Spanish flu starts to disturb day-to-day life, a moving portrait of Elizabeth takes shape, set against the lives and fate of the Morison family. ‘As you read They Came Like Swallows, you catch yourself from time to time being astonished at how tightly you're gripping the pages... There isn't a word that has dated. It could have been written yesterday, or tomorrow’ Nicholas Lezard, Guardian
The Folded Leaf
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The Heavenly Tenants
In this fantasy, a Wisconsin farm family become involved with the characters of the zodiac.
My Mentor
A compelling reflection on wisdom, friendship, and the craft of writing, My Mentor is also the touching story of a young man's education at the hands of a master, William Maxwell. At age twenty-four, Alec Wilkinson approached Maxwell in hopes of being taught to write. A quarter century of friendship followed. As a fiction editor of The New Yorker, Maxwell was unquestionably one of the past century's most respected editors; as the author of the masterpieces They Came Like Swallows and So Long, See You Tomorrow, he was one of its greatest American writers. His unparalleled ear for language and eye for detail, his depth of understanding and experience, make his instructions on writing an essential guide to the craft. In honoring this great man of letters, Wilkinson creates a "deft and sympathetic portrait" (New York Times Book Review).
Conversations with William Maxwell
Conversations with William Maxwell collects thirty-eight interviews, public speeches, and remarks that span five decades of the esteemed novelist and New Yorker editor’s career. The interviews collectively address the entirety of Maxwel’s literary work—with in-depth discussion of his short stories, essays, and novels including They Came Like Swallows, The Folded Leaf, and the American Book Award–winning So Long, See You Tomorrow—as well as his forty-year tenure as a fiction editor working with such luminaries as John Updike, John Cheever, Eudora Welty, Vladimir Nabokov, and J.D. Salinger. Maxwell’s words spoken before a crowd, some previously unpublished, pay moving tribute to literary friends and mentors, and offer reflections on the artistic life, the process of writing, and his midwestern heritage. All retain the reserved poignancy of his fiction. The volume publishes for the first time the full transcript of Maxwell’s extensive interviews with his biographer and, in an introduction, correspondence with writers including Updike and Saul Bellow, which enlivens the stories behind his interviews and appearances.
William Maxwell
Best known as the longtime fiction editor at The New Yorker, William Maxwell worked closely with greats like Vladimir Nabokov, John Updike, Mary McCarthy, John Cheever, and many others. His own novels include They Came Like Swallows and So Long, See You Tomorrow, and have become so highly acclaimed that many now consider him to be one of the twentieth-century's most important writers. Barbara A. Burkhardt's William Maxwell: A Literary Life represents the first major critical study of Maxwell's life and work.Writing with an economy and elegance befitting her subject, Burkhardt addresses Maxwell's highly autobiographical fiction by skillfully interweaving his biography with her own critical in...
What There Is to Say We Have Said
Letters revealing a lost literary world—and a unique friendship between a brilliant author and a New Yorker editor. For over fifty years, Eudora Welty and William Maxwell, two of our most admired writers, penned letters to each other. They shared their worries about work and family, literary opinions and scuttlebutt, and moments of despair and hilarity. Living half a continent apart, their friendship was nourished and maintained by their correspondence. What There Is to Say We Have Said bears witness to Welty and Maxwell’s editorial relationship—both in Maxwell’s capacity as New Yorker editor and in their collegial back-and-forth on their work. It’s also a chronicle of the literary...
F.B. Eyes
How FBI surveillance influenced African American writing Few institutions seem more opposed than African American literature and J. Edgar Hoover's white-bread Federal Bureau of Investigation. But behind the scenes the FBI's hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau’s intimate policing of five decades of African American poems, plays, essays, and novels. Starting in 1919, year one of Harlem’s renaissance and Hoover’s career at the Bureau, secretive FBI "ghostreaders" monitored the latest developments in African American letters. By the time of Hoover’s deat...
