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American Grotesque
American Grotesque is a lavish retrospective of grotesque, occult, and erotic images by the forgotten Hollywood photographer William Mortensen (1897–1965), an innovative pictorialist visionary whom Ansel Adams called the "Antichrist" and to whom Anton LaVey dedicated The Satanic Bible. Mortensen's countless technical innovations and inspired use of special effects prefigures the development of digital manipulation and Photoshop. Includes a gallery of more than one hundred striking photographs in duotone and color, many of them previously unseen, and accompanying essays by Mortensen and others on his life, work, techniques, and influence.
The Command to Look
The Command to Look was one of William Mortensen's most influential and sought-after books, and has been out of print for fifty years. Reproduced here in full, this book includes an essay by Michael Moynihan on how its images influenced the occult "lesser magic" of the founder of the Church of Satan, Anton Szandor LaVey. The book reproduces fifty-five images of Mortensen's best work and text by the wittiest and most biting writers on photography of their time.
Pictorial Lighting
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Me and Mortensen
"In 1956 Robert Balcomb studied with American Master Photographer William Mortensen in his Laguna Beach studio. This long-awaited book on Balcomb's time with Mortensen is a richly illustrated, inside look at one of the world's finest Pictorialist photographers of the last century. The author delves into the lessons that he learned from the Master, and describes how he took the teachings and made them his own over a successful fifty-four-year career as a fine portrait photographer. In addition to the numerous photos and illustrations accompanying the text is a gallery of eighty-three portraits, still lifes, and pictorials from Balcomb's long career, and eight Mortensen prints-some being published for the first time."--dust cover.
William Mortensen
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William Mortensen
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Print Finishing
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Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth
"Maria Howell's Manhood and Masculine Identity in William Shakespeare's "The Tragedy of Macbeth" is an important and compelling scholarly work which seeks to examine the sixteenth century's greatest concern, echoed by Hamlet himself, "What is a man?" In an attempt to analyze the concept of manhood in Macbeth, Howell explores the contradictions and ambiguities that underlie heroic notions of masculinity dramatized throughout the play. From Lady Macbeth's capacity to control and destroy Macbeth's masculine identity, to Macbeth himself, who corrupts his military prowess to become a ruthless and murderous tyrant, Howell demonstrates that heroic notions of masculinity not only reinforce masculine...
Faking it
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book'...
