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"Conceiving and writing a pilot that can launch a series is a complex assignment even for a seasoned pro. This book will take you through the entire process, from your initial idea through the finished script" --
Based on the hit USA NETWORK television series A tie-in readers will be totally "psyched" about... Shawn Spencer has convinced everyone he's psychic. Now, he has to either clean up or be found out. After the PSYCH detective agency gets some top-notch publicity, Shawn's high-school nemesis, Dallas Steele, hires him to help choose his investments. Naturally, their predictions turn out to be total busts. And the deceptive Dallas is thrilled that he has completely discredited and humiliated Shawn once and for all, until he's found murdered. But the police have a suspec found at the scene with a smoking gun. And she says Shawn took control of her mind and forced her to do it. After all, he is a psychic?
When I finished Writing the Pilot a few years back, I figured I'd managed to cram everything I had to say on the subject in that little 90-page package. But that was 2011, and in the years that have passed, a lot has changed about the television business.And when I say "a lot," I mean everything. The way series are bought. The way series are conceived. The way stories are told. The way series are consumed. The kinds of stories that can be told. The limitations on content at every level. The limitations on form at every level. And maybe most important of all: The restriction on who is allowed to sell a series.What's far more confusing about the future is that there are as many changes in the ...
Based on the hit usa network series Shawn Spencer has convinced everyone he's psychic. Now, he's either going to clean up- or be found out. Murder and Magic are all in the mind... When a case takes Shawn and Gus into an exclusive club for professional magicians, they're treated to a private show by the hottest act on the Vegas Strip, "Martian Magician" P'tol P'kah. But when the wizard seemingly dissolves in a tank of water, he never rematerializes. And in his place there's a corpse in a three piece suit and a bowler hat. Eager to keep his golden boy untarnished, the magician's manager hires Shawn and Gus to uncover the identity of the dead man and find out what happened to P'tol P'kah. But to do so, the pair will have to pose as a new mentalist act, and go undercover in a world populated by magicians, mystics, Martians-and one murderer...
"Rabkin selects The Merchant of Venice, Henry V, Antony and Cleopatra, Julius Caesar, Richard III, Macbeth, Coriolanus, The Winter's Tale, and The Tempest as the plays on which to build his argument, and he teaches us a great deal about these plays. . . . To convince the unbelievingthat that the plays do mean, but that the meaning is coterminous with the experience of the plays themselves, Rabkin finds a strategy more subtle than thesis and rational argument, a strategy designed to make us see for ourselves why thematic descriptions are inadequate, see for ourselves tath the plays mean more than and statement about them can ever suggest." –Barbara A. Mowat, Auburn University "Norman Rabkin...
GOT A MYSTERY TO SOLVE? DON'T GET STUMPED. GET PSYCHED! You've seen him solve unsolvable crimes, stop unstoppable killers, and consume unconsumable breakfast cereals. Now Shawn Spencer, the mastermind from TV's hit show Psych, shows you how to become a fake psychic-and a real detective-using his patented methods of crime-fighting awesomeness. Along the way, he'll help you deal with whiny sidekicks (that means you, Gus), interfering police officers (including but not limited to Chief Vick, Lassiter, Henry, Buzz MacNab, and, ah, Juliet), and flashes of genius (like Evel Knievel's white leather jumpsuit). You'll discover: How to set up a totally bitchin' office, where Wednesday = Ladies Night H...
The industry speaks out about SUCCESSFUL TELEVISION WRITING "Where was this book when I was starting out? A fantastic, fun, informative guide to breaking into?and more importantly, staying in?the TV writing game from the guys who taught me how to play it." --Terence Winter, Coexecutive Producer, The Sopranos "Goldberg and Rabkin write not only with clarity and wit but also with the authority gleaned from their years of slogging through Hollywood?s trenches. Here is a must-read for new writers and established practitioners whose imagination could use a booster shot." --Professor Richard Walter, Screenwriting Chairman, UCLA Department of Film and TV "Not since William Goldman?s Adventures in t...
Some of todays top television writers and producers share their insight and explain the unique craft of writing a drama series for television and how the industry really works.
Childhood pain is a widespread problem, yet it often goes untreated. Drawing on the latest research, two leading voices on pediatric pain show parents and medical practitioners how to handle children’s pain, from bumps and bruises to chronic illnesses, providing strategies that make a real difference in kids’ lives.
A unique, ground-breaking collection of lively, informative, and provocative essays & interviews from some of the most acclaimed and bestselling authors of tie-in books & novelizations about what they do and how they do it.Tie-in novels are books based on pre-existing media properties -- like TV shows, movies and games -- and they regularly top the national bestseller lists. But as popular as tie-ins books and novelizations are among readers, few people know how the books are written or the rich history behind the hugely successful and enduring genre. Contributors include Donald Bain, Max Allan Collins, Tod Goldberg, Elizabeth Massie, William C. Dietz, Aaron Rosenberg, Paul Kupperberg, Jeff ...