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The Copeland Collection of 134 Chinese and Japanese ceramic figures, perhaps the most important assemblage of its kind still in private hands, is recognized internationally for the superb quality of its many rare forms. Acquired by Mrs. Lammot du Pont Copeland over the past fifty years, each of these beautifully modeled human and animal figures testifies to the unerring eye of a premiere collector.The majority of these figures are of porcelain, produced during the late seventeenth to the late eighteenth centuries, principally for export to the West. Each individual piece displays the meticulous artistry, the marvelous enameling, and the animation and wit characteristic of this remarkably innovative period in ceramic history However modest in scale, many are important works of art.--Amazon.com.
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Beginning in the sixteenth century when Portuguese traders started importing blue and white porcelain to Europe, Chinese ceramics manufacturers produced goods specifically for export to the West. The industry flourished through the early twentieth century as the market for fine porcelain expanded in Europe and the Americas. Among the Peabody Essex Museum's founders in 1799 were sea captains and supercargoes involved in extensive trade with Asia, and many of the remarkable examples of export wares they brought back provided a foundation for the Museum's world-renowned collection of Chinese export ceramics. Written by William R. Sargent, a leading expert in the field, Treasures of Chinese Expo...