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Scott reveals vast amounts of financial accounting information drawn from recent research that has until now been hidden in academic journals. He provides a clear, easy-to-use framework for students to (1) place this information in a financial accounting context, (2) explain and analyze the information intuitively and (3) to reveal the informationOs relevance in understanding the practice of accounting.
The original edition of this massive undertaking is of the greatest scarcity and not present in most major libraries. 'There are no three volumes anywhere in economic history with more research behind them' wrote John Clapham in 1940. That so little additional information has subsequently come to light is evidence that this remains a landmark work, unsurpassed in the 80 years since its original publication. Following an account of the general evolution of the joint-stock company in its relation to a full narrative of the financial and commercial history of Great Britain and Ireland from the sixteenth century to 1720 (volume one), the information contained in the appendices (volumes two and t...
Financial Accounting Theory provides a thorough presentation of financial accounting theories. This new edition continues to include considerable coverage of accounting standards oriented to IASB standards as well as major U.S. accounting standards. While the text discussion concentrates on relating standards to the theoretical framework of the book, the coverage provides students with exposure to the contents of the standards themselves.
True to the nature of the Gedenkschrift, this commemorative publication celebrates the work of sociologist Dr. William Freudenburg, one of the founding editors of RSPPP and Dehlsen Professor, University of California, Santa Barbara.
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William Scott, born in 1913, first came to the public's attention when he participated in the Arts Council's exhibition at the 1951 Festival of Britain. His work ranges from abstract paintings to ever-richer still lifes with multiple levels of paint, and multiple levels of meaning. This sumptuous volume, the definitive book on Scott and his art, includes work from all periods, most of which is reproduced in full colour.
William Scott has emerged as one of the greatest British artists of the 1950s and 1960s. Exhibiting in New York from 1954 he forged significant links with American Expressionists such as Pollock, Rothko and de Kooning. His work shows the extraordinary ability to straddle the dilemma between figuration and abstraction and this book is a superb presentation of the artists still lifes, landscapes, figure studies and works tending towards total abstraction. Includes essays, biographical details, artist's statements and contemporary reviews.