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An intimate look into the private collection of the legendary MoMA curator This volume documents the art collection of MoMA curator William Rubin (1927-2006) and his impact on modern art in the US. Renowned as Director of Painting and Sculpture at the Museum of Modern Art from 1967 to 1988, Rubin was recognized for his unprecedented acquisitions for MoMA's collection and the groundbreaking exhibitions that showcased them, which were accompanied by monographs that have become essential art historical reading. This publication focuses on Rubin's private collection, providing rare insights into how he lived, what he wrote and the objects with which he surrounded himself. This 400-page book accompanies a traveling international exhibition of the collection and is sumptuously illustrated with full-page plates and details.
The distinguished curator, critic, collector, art historian, and teacher William Rubin was a forceful presence for over two decades at The Museum of Modern Art (MoMA) from the late 1960s through the 1980s.
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Shows examples of Stella's large scale paintings, constructions, and reliefs created over the last seventeen years, and discusses the themes, style, and materials of his work.
"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism ...
The distinguished curator, critic, collector, art historian, and teacher William Rubin was a forceful presence for over two decades at The Museum of Modern Art (MoMA) from the late 1960s through the 1980s.
Examines perceived power on the basis of which symmetries and asymmetries in the relations between parties can be identified
"William S. Paley, founder of CBS, Inc., and a towering figure in the development of entertainment and communications industries, was also a committed collector and patron of modern art. This book catalogues the highly personal collection of paintings, sculptures, prints and drawings, by such artists as [Paul] Cézanne, [Paul] Gauguin, [Henri] Matisse, [Pablo] Picasso, and others, that he bequeathed to the Museum of Modern Art. ..."--Back cover.