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Col. William N. Selig, the Man Who Invented Hollywood
All histories of Hollywood are wrong. Why? Two words: Colonel Selig. This early pioneer laid the foundation for the movie industry that we know today. Active from 1896 to 1938, William N. Selig was responsible for an amazing series of firsts, including the first two-reel narrative film and the first two-hour narrative feature made in America; the first American movie serial with cliffhanger endings; the first westerns filmed in the West with real cowboys and Indians; the creation of the jungle-adventure genre; the first horror film in America; the first successful American newsreel (made in partnership with William Randolph Hearst); and the first permanent film studio in Los Angeles. Selig w...
Col. William N. Selig, the Man Who Invented Hollywood
All histories of Hollywood are wrong. Why? Two words: Colonel Selig. This early pioneer laid the foundation for the movie industry that we know today. Active from 1896 to 1938, William N. Selig was responsible for an amazing series of firsts, including the first two-reel narrative film and the first two-hour narrative feature made in America; the first American movie serial with cliffhanger endings; the first westerns filmed in the West with real cowboys and Indians; the creation of the jungle-adventure genre; the first horror film in America; the first successful American newsreel (made in partnership with William Randolph Hearst); and the first permanent film studio in Los Angeles. Selig w...
The Zoo and Screen Media
This book is the first critical anthology to examine the controversial history of the zoo by focusing on its close relationship with screen media histories and technologies. Individual chapters address the representation of zoological spaces in classical and contemporary Hollywood cinema, documentary and animation, amateur and avant-garde film, popular television and online media. The Zoo and Screen Media: Images of Exhibition and Encounter provides a new map of twentieth-century human-animal relations by exploring how the zoo, that modern apparatus for presenting living animals to human audiences, has itself been represented across a diverse range of moving image media.
The Emergence of Cinema
Looks at the early years of the motion picture industry through 1907.
Love, Honor, and Cherish Until Marriage Do Us Part
Love, Honor, and Cherish Until Marriage Do Us Part is the long awaited follow-up to So You Want To Be A Rock n' Roll Bride. It's for teens, young adults and anyone who loves stars. What the admiration of her favorite males star says about her. Preparing to travel in the social circles that lead to hanging out with her cherished star. Introducing techniques to help teenage girls and young adult women get over the heartbreak of a favorite male star marriage. Tips on getting show business careers, nonshow business careers, and how to write a job resume. Plenty of entertaining stories about celebrities.
Tom Mix
Tom Mix became a major star in the 1920s, earning over $900,000 for his movie work in 1921. Fox refused, however, to renew his contract in 1927, and that, coupled with the stock market crash of 1929, left him virtually penniless. In 1932 Mix resumed his movie career, making Destry Rides Again, his first talkie. Later he became a circus owner and star. This is the story of Mix's life and career; it includes a comprehensive filmography of his work.
Frederick Starr
This definitive, detail-packed biography is the first of Frederick Starr (1856-1933), a founding father of American anthropology at the University of Chicago. It presents a major reevaluation of Starr’s place as the missionizer of anthropology, illuminates the consequences of the professionalization of anthropology, and yields a greater understanding of the United States as it moved into a position of global power. Donald McVicker considers Frederick Starr’s colorful life in the context of the times.In many respects Starr’s early career paralleled that of Franz Boas, “the architect of American anthropology.” Nonetheless, as Boas led professional anthropology into the twentieth cent...
The Strong, Silent Type
Many of the stars of silent westerns were young horse wranglers who left the open fields to make extra money bulldogging steers and chasing Indians around arenas in traveling Wild West shows. They made their way to Hollywood when the popularity of the Wild West shows began to decline, found work acting in action-packed silent westerns, and became idols for early moviegoers everywhere. More than 100 of those cowboys who starred in silent westerns between 1903 and 1930 are highlighted in this work. Among those included are Art Acord, Broncho Billy Anderson, Harry Carey, Fred Cody, Bob Custer, Jack Daugherty, William Desmond, William Duncan, Dustin Farnum, William Farnum, Hoot Gibson, Neal Hart, William S. Hart, Jack Holt, Jack Hoxie, Buck Jones, J. Warren Kerrigan, George Larkin, Leo Maloney, Ken Maynard, Tim McCoy, Tom Mix, Pete Morrison, Jack Mower, Jack Perrin, William Russell, Bob Steele, Fred Thompson, Tom Tyler, and Wally Wales, to name just a few. Biographical information and a complete filmography are provided for each actor. Richly illustrated with more than 300 movie stills.
American Cinema’s Transitional Era
This 'transitional era' covered the years 1908-1917 & witnessed profound changes in the structure of the motion picture industry in the US, involving film genre, film form, filmmaking practices & the emergence of the studio system. The pattern which emerged dominated the industry for decades to come.
The Hollywood Posse
After 1912, when the great cattle empires began to crumble, hundreds of seasoned cowboys found themselves jobless. A handful of discarded horsemen, however, stumbled upon an entirely new frontier-Hollywood. In a rare insider’s view, Diana Serra Cary tells the story of these cowboys, who survived for another fifty years as riders, stuntmen, and doubles for the stars. Filled with humorous anecdotes, The Hollywood Posse reveals the full story of the cowboys’ long and bitter feud with autocratic director Cecil B. De Mille; their relationships with the great Western stars-from the flamboyant Tom Mix to the durable John Wayne; and above all, their touching loyalty, code of honor, and devotion to each other.
