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Remembering Mr. Shawn's New Yorker
For more than three decades, a quiet man—some would say almost an invisible man—dwelt at the center of American journalistic and literary life. He was William Shawn, the editor-in-chief of The New Yorker from 1952 to 1987. Through the writers and artists he gathered around him and worked with, the forms of writing he invented, the pieces he encouraged and published, and his gentle but meticulous editing of those pieces, he expanded—permanently—the range of the possible in journalistic and literary writing. Among his writers were Edmund Wilson, Rachel Carson, John Cheever, V. S. Pritchett, J. D. Salinger, Penelope Mortimer, A. J. Liebling, John Updike, Donald Barthelme, Jonathan Schel...
Shawn O'Brien, Town Tamer
The USA Today bestselling authors of the Brothers O'Brien series now present the untold saga of Shawn O'Brien . . . A man who tamed the West—one town at a time Unlike his brothers Jacob, Sam, and Patrick, Shawn O'Brien isn't content to settle down on the family ranch in New Mexico Territory. With his razor-sharp eye, lightning-fast draw, and burning thirst for justice, Shawn is carving out a reputation of his own. As a town tamer he takes the most dangerous, lawless towns in the West and makes them safe for decent men, women, and children. When a stagecoach accident leaves Shawn stranded in Holy Rood, Utah, it doesn't take long to realize he's landed in one ornery circle of hell. Ruled by a cruel and cunning crook-turned-merciless dictator named Hank Cobb, Holy Rood is about as unholy a place as any on the frontier. Anyone who breaks Cobb's rules is severely punished. Anyone who defies Cobb's hooded henchmen dies by rope, stake, or guillotine. But Shawn O'Brien isn't just anyone. He's the town tamer. And this time, he's going to paint the town red . . .
Here But Not Here
In this memoir, a renowned journalist tells the remarkable story of the passionate life she shared for 40 years with William Shawn, legendary editor of The New Yorker. "An enduring love, however startling or unconventional, feels unalterable, predestined, compelling, and intrinsically normal to the couple immersed in it, so I would have to say that I had an intrinsically normal life for over four decades with William Shawn." Shawn was married, yet Ross and Shawn created a home together a dozen blocks south of the Shawns' apartment, raised a child, and lived with discretion. Their lives intertwined from the 1950s until Shawn's death in 1992. Ross describes how they met and the intense connection between them; how Shawn worked with the best writers of the period; how, to escape their developing liaison, Ross moved to Hollywood--only to return to New York and to the relationship.
Long Way Down
As Will, fifteen, sets out to avenge his brother Shawn's fatal shooting, seven ghosts who knew Shawn board the elevator and reveal truths Will needs to know.
The Street Is Ours
A compelling history of the impact of automobiles on the streets of Rio de Janeiro.
The Story Grid
WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.
An Environmental History of Latin America
A narration of the mutually mortal historical contest between humans and nature in Latin America. Covering a period that begins with Amerindian civilizations and concludes in the region's present urban agglomerations, the work offers an original synthesis of the current scholarship on Latin America's environmental history and argues that tropical nature played a central role in shaping the region's historical development. Human attitudes, populations, and appetites, from Aztec cannibalism to more contemporary forms of conspicuous consumption, figure prominently in the story. However, characters such as hookworms, whales, hurricanes, bananas, dirt, butterflies, guano, and fungi make more than cameo appearances. Recent scholarship has overturned many of our egocentric assumptions about humanity's role in history. Seeing Latin America's environmental past from the perspective of many centuries illustrates that human civilizations, ancient and modern, have been simultaneously more powerful and more vulnerable than previously thought.
Do I Owe You Something?
In his unblinking but fair-minded memoir, Mewshaw grants us the sizable pleasure of passing time with some of the twentieth century's finest and most interesting writers.".
Manslaughter
USA Today bestselling author: When a sheriff needs backup, Shawn O'Brien is the man to call . . . From America's bestselling Western authors comes the violent saga of the frontier legend known as the Town Tamer: the man who rides in when all attempts of law and order have failed. Shawn O'brien—taming a town held hostage by the devil In Broken Bridle, Wyoming, Jeremiah Purdy, the town's tinhorn sheriff, is a college kid who wants to become governor some day. But outlaw Darius Pike couldn't care less about anyone else's ambitions. With Pike holding Broken Bridle in a bloody grip of terror, Purdy sends a desperate cry for help—to Shawn O'Brien, town tamer. Shawn's mission: ride to Wyoming and pry Broken Bridle loose from Pike's reign of fear. What Shawn finds is that something even more evil than Pike is haunting Broken Brindle. Now, in a storm of bullets and blood, in a deal with the devil, Shawn O'Brien can only tame this town by entering hell itself . . .
The Stone Face
A roman à clef about racism, identity, and bohemian living amidst the tensions and violence of Algerian War-era France, and one of the earliest published accounts of the Paris massacre of 1961. As a teenager, Simeon Brown lost an eye in a racist attack, and this young African American journalist has lived in his native Philadelphia in a state of agonizing tension ever since. After a violent encounter with white sailors, Simeon makes up his mind to move to Paris, known as a safe haven for black artists and intellectuals, and before long he is under the spell of the City of Light, where he can do as he likes and go where he pleases without fear. Through Babe, another black American émigré, ...
