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Gatherings Toward a Genealogy of the Coffin Family
Gatherings Toward a Genealogy of the Coffin Family by William Sumner Appleton, first published in 1896, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Record of the Descendants of William Sumner, of Dorchester, Mass., 1636
William Sumner (1605-1688), son of Roger and Joane Sumner, immigrated from England to Dorchester, Massachusetts in 1636. Descendants lived in New England, New York, Ohio, Arkansas, California and elsewhere.
Record of the Descendants of William Sumner, of Dorchester, Mass. 1636
Hardcover reprint of the original 1879 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Appleton, William S. William Sumner. Cn. Record of The Descendants of William Sumner, of Dorchester, Mass., 1636. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Appleton, William S. William Sumner. Cn. Record of The Descendants of William Sumner, of Dorchester, Mass., 1636, . D. Clapp & Son, 1879. Subject: Sumner family (William Sumner, 1605?-1688)
Record of the Descendants of William Sumner, of Dorchester, Mass., 1636 - Scholar's Choice Edition
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Invention of the American Art Museum
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative dis...
