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William Virgil Davis is a widely published, award-winning poet. Among his many honors, fellowships, and awards are the Yale Series of Younger Poets Prize, the New Criterion Poetry Prize, and the Helen C. Smith Memorial Award for Poetry. His poems regularly appear in leading journals, both in this country and abroad. His Dismantlements of Silence: Poems Selected and New brings together a generous selection of Davis's poetry to date. It includes samples of his early uncollected work, poems from his previously published books, and selections from his most recently published work. Driving Alone in Winter Driving alone in winter through acres of land deserted by everything save the snow trapped in the ruts of the road, the moon broken by the bare trees, I remember the days when my brothers and I would fall asleep in the backseat on the way home. Tonight, coming home, I remember the faint light on the dashboard holding my father's face, my mother's soft voice, my brothers asleep, the moon running among the trees beside the car.
The poems in William Virgil Davis's Landscape and Journey constitute forays onto actual terrain--either close to home in Texas or farther off in Wales--as well as exploring what the poet Guy Davenport once called the geography of the imagination. A number of the poems here recount the closely observed details of journeys the poet has made, travels he has literally taken. At other times they tell of imaginary journeys--travels the poet would like to take or "travels" to places only "visible" in the mind's eye. Often Davis's elegant lyrics combine a bit of both. They take off from a particular painting or line of poetry--by Geoffrey Hill or Charles Tomlinson--and carry the reader beyond the su...
Pondering now the being and nature of God, now the mystery of time, now the assault of contemporary lifestyles on the natural world, R.S. Thomas's poetry and prose reflects his Welsh heritage and his determination to be Welsh. Moved by his own personal attractions to the work of Thomas and guided by his careful reading of it, William V. Davis brings us this excellent collection of essays exploring the distinguished yet controversial poet-priest.
The theology and the poetry of Welch poet R.S. Thomas.
An award-winning anthology of paired poems by men and women. In this insightful anthology, the editors grouped almost 200 poems into pairs to demonstrate the different ways in which male and female poets see the same topics. How women see men, how boys see girls, and how we all see the world—often in very different ways, but surprisingly, wonderfully, sometimes very much the same.
When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkey--named Beatrice and Virgil--and the epic journey they undertake together.
Virgil became a school author in his own lifetime and the centre of the Western canon for the next 1800 years, exerting a major influence on European literature, art, and politics. This Companion is designed as an indispensable guide for anyone seeking a fuller understanding of an author critical to so many disciplines. It consists of essays by seventeen scholars from Britain, the USA, Ireland and Italy which offer a range of different perspectives both traditional and innovative on Virgil's works, and a renewed sense of why Virgil matters today. The Companion is divided into four main sections, focussing on reception, genre, context, and form. This ground-breaking book not only provides a wealth of material for an informed reading but also offers sophisticated insights which point to the shape of Virgilian scholarship and criticism to come.
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Richard Hugo has selected William Virgil Davis's One Way to Reconstruct the Scene as the 1979 winner of the Yale Series of Younger Poets competition. In his foreword to the volume Hugo says: "William Virgil Davis is a poet who, when he writes, contends with a loving self who wants to render the world as found. His battle is the classic one, the memory versus the imagination. . . . 'Memory is the first property of loss, ' Davis tells us, and that may be true. At least it is worth considering. Certainly a scene, no matter how initially unattractive, reconstructed lovingly in active language posing as passive recall is a true property of gain. Davis believes in and works to create a world we can humanely attend the second time around, and his poems often provide that second chance."
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