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William Williamson
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Redundant Ruminations of a Hand Well Stroked
In Redundant Ruminations of a Hand Well Stroked, the latest book of prose by St. Augustine's resident poet and Florida Keys novelist, William Williamson brings to the page, ruminations on writing as well as timeless observations and recollections from the past and present. His work is shaved, naked and direct. Everyday humanity swathed in the existence of ordinary life. A stripper dancing for dollars, a divorcing couple hooking up for sex, a trip to a pawn shop, a hospital visit, ordering a pizza. Ambiguous moments in life that sears the conscious creating consequential memories that serve a lifetime. What Williamson has dubbed, big woman emotion. Big woman emotion is what life hands us, on any given day or night of the week. Big woman emotion is what time hands us any given hour or mercurial minute of our lives.
Accept No Presents and Give No Pardons
ACCEPT NO PRESENTS AND GIVE NO PARDONS, A POET IS ON HIS OWN, a conceptual body of work, written in third person, celebrating and questioning the hard dualities we all find, at times, in our life and in our relationships is the latest book of prose by the author of SOME CAME FIRST, SOME CAME AFTER and SOME CAME NAKED, William Williamson's three literary novels comprising his Florida Keys trilogy. William's work, his novels and poetry is always shaved, naked and direct. And in his latest book of prose, he lays bare and defines the theater of love during life that climaxes in what he calls, big woman emotion. Big woman emotion is what life hands you, on any given day or night of the week. Big ...
First and Last Impressions from the Lost and Found
First & Last Impressions from the Lost & Found, William Williamson's eighth book of published prose is as shaved and naked as his first seven books. Poetic prose that can just as easily cut to the quick of a fingernail, to a magic moment of tenderness from that same wounded finger tracing the pulse of a lover's juggler vein. Like his previous works, colloquial observations of life and relationships abound that is guaranteed to illicit a litany of both familiar and unexpected emotions in the reader. Big woman emotion as William has defined it. Prose that flows like water, breathing life, words sketching the wind around us. Big woman emotion whispers and howls from the first to the last page in First & Last Impressions from the Lost & Found. Big woman emotion is what life hands us, every second, every minute, every hour, of every day and night of our lives.
Tonight We're Serving Insanity For Supper
Tonight We're Serving Insanity for Supper by William Williamson is a book of forty-three poems written by a new voice for a new century of ears and eyes. His poems are raw with energy, naked emotionally, and shaved of tradition. Some poems are graphic. Some may shock the reader. Some may anger the reader. And yet, some may make the reader see himself and smile. Like the Beats before them, poets today are working with a powerfully changed medium. Taken away from the ivory towers and put in the hands of a new generation, poetry today is being thrust into the new millennium. Williamson’s poems cover a wide range of subjects: love and loss, coins on a table top late at night, laundry mats—and what can be revealed there, as well as wildfires, and nights full of crazy dreams. Included in the book is a lengthy narrative poem, “You Know How it Gets (in Key West)”—a stripped down prose poem that celebrates the decadent bacchanalian of that southern most island in the Florida Keys. Williamson is not bound by society’s requisitions or preconceptions. His poetry is clean, stark, and direct.
Stenography
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A Killing Frost Falls Down Tonight
A KILLING FROST FALLS DOWN TONIGHT by William Williamson Is a new book of prose by the author of SOME CAME FIRST, SOME CAME AFTER and SOME CAME NAKED, William's three novels comprising his Florida Keys trilogy. In A KILLING FROST FALLS DOWN TONIGHT, Williamson explores the intricate boundaries of life and death between family, lovers and friends with prose that is clean, stark and direct, as well as colloquial observations in his life and the world around him and ruminations on writing. His work is always significant in the way he moves poetry to make lyrical beauty with words. Williamson calls it big woman emotion. Big woman emotion is what we feel. Big woman emotion stirs the mind, ignites the loins, and conquers the soul. It brings forth life to all of us. Without big woman emotion, we suffer, such is life, we wither and we die on the vine. Williamson's work casts traditional prose to the wayside. His poems are naked and shaved with a contemporary edge and pulse, yet, his subjects are the same that the romantic poets from the past, celebrated and mourned with ink on paper under candle light, while drowning, in chalices of wine.
Last Call, Selected Bar Prose
St. Augustine, William's adapted hometown, is not as well known for its revelry or debauchery like Key West or New Orleans but since its founding 450 years ago, there have always been taverns where hungry and thirsty souls came for food, spirits, company and entertainment. Almost five centuries later, lights from the grog houses still beckon those who wish to come in from the night for more of the same. Whether it's called a bar, lounge, saloon, pub or tavern, Last Call, Selected Bar Prose, a compilation of twenty years of work chosen from fifteen different prose books written by William Williamson, captures the gauntlet of behavior and emotions, the conversations and moments that is found in places where people congregate to drink, sharing their life with friends and shedding their skin to strangers. Laughter, loneliness, longing, sadness, boredom, the possibility of someone entering your life or walking out of it, changing your yesterday, the good times we remember and the bad times we would like to forget, permeates throughout William's latest book of prose.
