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This handbook maps the media economy in its entirety against the background of the advancing digitalization of communication, media production, media distribution and the adaptation of regulatory framework conditions from different disciplinary approaches. It provides an integrated view on digitally induced economic transformations of the European media sector, and gives an explicitly European perspective on media economics – challenging the dominant US-American view. Topics covered include, but are not limited to: Theoretical approaches to media economics; media technologies and data management in media economics; building blocks of the media industry; media types and core distribution markets; system aspects and communication culture; media systems and regulatory policy; as well as methods of media economics. The handbook is a must-read for students, teachers and researchers in media and communication economics and science,as well as practicioners and policy-makers at the nexus of media, business and politics.
On history of communication
This book tells the story of Germany between the years 1914–1945 through the history of its sounds and noises. From the killing grounds of the Great War, passing through the roaring optimism of the 1920s, and up to the horrifying spectacle of the Nazis and the dreadful apocalypse of the Second World War, sound became the epitaph of an era that was mostly dominated by war and a global sense of crisis. Yaron Jean reconstructs and analyses these moments when sound and its meaning became history, and places them in a single study that provides a unique perspective on the history of modern Germany in one of its most turbulent centuries.
Twenty-three essays that document the intellectual itinerary of the philosopher and cultural historian, one of the most original thinkers in recent times. Friedrich Kittler (1943–2011) combined the study of literature, cinema, technology, and philosophy in a manner sufficiently novel to be recognized as a new field of academic endeavor in his native Germany. “Media studies,” as Kittler conceived it, meant reflecting on how books operate as films, poetry as computer science, and music as military equipment. This volume collects writings from all stages of the author’s prolific career. Exemplary essays illustrate how matters of form and inscription make heterogeneous source material (e.g., literary classics and computer design) interchangeable on the level of function—with far-reaching consequences for our understanding of the humanities and the “hard sciences.” Rich in counterintuitive propositions, sly humor, and vast erudition, Kittler’s work both challenges the assumptions of positivistic cultural history and exposes the over-abstraction and language games of philosophers such as Heidegger and Derrida.
Ernst Cassirer's thought-provoking essay Form and Technology (1930) ascribes to technology a new dignity as a genuine tool of the mind in equal company with language and art. Translated here into English it is accompanied by critical essays that explore its current relevance.
A biography of the famed German film producer whose successes such as The Cabinet of Dr. Caligari and The Blue Angel have become industry classics. Hardt traces Pommer's work from the pre-Hitler days of the Ufa studio, his emigration to the US in 1933, his battle to establish himself in the Hollywood milieu, his political struggles as motion Picture Control Officer of the US Military during 1946-1949 as he tried to rebuild Germany's film machinery, and ultimately documents Pommer's survival as one of the major producers of the era. Includes photographs and film index appendices. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
The German Democratic Republic has become the subject of novels, memoirs and films, and the backdrop for general debates over the power of intellectuals in contemporary media and society. This collection considers the demise of the GDR and its impact on the place of intellectuals.