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Spiritual Moderns
Examines how and why religion matters in the history of modern American art. Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art. Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá’í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.
New York Exposed
On a Sunday morning in early 1892, Reverend Dr. Charles H. Parkhurst ascended to his pulpit at the Madison Square Presbyterian Church in New York and delivered one of the most explosive sermons in the city's history. Municipal life, he charged, was morally corrupt. Vice was rampant. And the city's police force and its Tammany Hall politicians were"a lying, perjured, rum-soaked, and libidinous lot." Denounced by city and police officials as a self-righteous "blatherskite," Parkhurst resolved to prove his case. The bespectacled minister descended his pulpit and in disguise visited gin joints and brothels, taking notes and gathering evidence. Two years later, his findings forced the New York St...
Chelmsford
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Chelmsford Revisited
Chelmsford, a suburban town of about 34,000, is located 22 miles northwest of Boston. Named for Chelmsford in Essex, England, it received its charter in May 1655. Until railroads and streetcars arrived in the late 1800s, South Chelmsford, East Chelmsford, and Chelmsford Center were primarily agricultural with the support of blacksmiths, carpenters, general storekeepers, millers, sawmill operators, and wheelwrights. These vintage photographs transport readers back in time to stroll Central Square, to discover a millpond that no longer exists, and to see the evolution of Center Common. Discover which farm was later subdivided into a familiar neighborhood, find out where the lumber came from, view homes the way they looked more than 100 years ago, and learn about Chelmsford's past residents and their places of worship.
Musical America
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Making Music Modern
New York City witnessed a dazzling burst of creativity in the 1920s. In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America. She also illustrates how the aesthetic attitudes and institutional structures from the 1920s left a deep imprint on the arts over the 20th century. Aaron Copland, George Gershwin, Ruth Crawford Seeger, Virgil Thomson, William Grant Still, Edgar Varèse, Henry Cowell, Leo Ornstein, Marion Bauer, George Antheil-these were the leaders of a talented new generation of American composers wh...
