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Understanding Phenomenal Consciousness
William S. Robinson has for many years written insightfully about the mind-body problem. In Understanding Phenomenal Consciousness he focuses on sensory experience (e.g., pain, afterimages) and perception qualities such as colours, sounds and odours to present a dualistic view of the mind, called Qualitative Event Realism, that goes against the dominant materialist views. This theory is relevant to the development of a science of consciousness which is now being pursued not only by philosophers but by researchers in psychology and the brain sciences. This provocative book will interest students and professionals who work in the philosophy of mind and will also have cross-disciplinary appeal in cognitive psychology and the brain sciences.
WARRINGTON PEN-PORTRAITS
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Epiphenomenal Mind
According to epiphenomenalism, our behavior is caused by events in our brains that also cause our mentality. This resulting mentality reflects our brains’ organization, but does not in turn cause anything. This book defends an epiphenomenalist account of philosophy of mind. It builds on the author’s previous work by moving beyond a discussion of sensations to apply an epiphenomenalist outlook to other aspects of mental causation such as beliefs, desires, pleasure, and displeasure. The first four chapters of the book argue for a dualistic theory of sensations and develop an epiphenomenalist version of dualism. The remaining chapters discuss propositional attitudes and valence. The author also responds to potential objections to epiphenomenalism by considering how sensations, intelligence, or understanding might be built into a robot. This book will be of interest to scholars and students in philosophy of mind who are interested in consciousness, mental causation, and how our mentality is situated in the world.
Shift Linguals
Shift Linguals traces a history of the cut-up method, the experimental writing practice discovered by Brion Gysin and made famous by Beat author William S. Burroughs. From the groundbreaking works of Dada and Surrealism that paved the way for Burroughs’ breakthrough, through the countercultural explosion of the 1960s, Shift Linguals explores the evolution of the cut-ups within the theoretical frameworks of postmodernism and the avant-garde to arrive at the present and the digital age. Some 50 years on from the first ‘discovery’ of the cut-ups in 1959, it is only now that we are truly able to observe the method’s impact, not only on literature, but on music and culture in a broader sense. The result of over nine years of research, this study represents the first sustained and detailed analysis of the cut-ups as a narrative form. With explorations of the works of Burroughs, Gysin, Kathy Acker, and John Giorno, it also contains the first critical writing on the works of Claude Pélieu and Carl Weissner in English, as well as the first in-depth discussion of the writing of Stewart Home to date.
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William S. Burroughs Cutting Up the Century
This definitive book on Burroughs’ decades-long cut-up project and its relevance to the American twentieth century, including previously unpublished works. William S. Burroughs’s Nova Trilogy (The Soft Machine, Nova Express, and The Ticket That Exploded) remains the best-known of his textual cut-up creations, but he committed more than a decade of his life to searching out multimedia for use in works of collage. By cutting up, folding in, and splicing together newspapers, magazines, letters, book reviews, classical literature, audio recordings, photographs, and films, Burroughs created an eclectic and wide-ranging countercultural archive. This collection includes previously unpublished w...
