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Transcending the Absurd
This is the first monographic study devoted to S l awomir Mro z ek, the most prominent contemporary Polish dramatist. It centers on Mrozek's development as a playwright, shown through the analysis of his complete dramas. Also discussed is Mro z ek's experience as a journalist and theatre critic, satirist and short story writer, author of cartoons and movie scenarios. The monograph spans Mrozek's beginnings as the Eastern European representative of the Theatre of the Absurd and his expatriate existence during which he transcends the absurdist model. Mrozek's return to Poland in 1996 reestablishes him as a major literary figures on the contemporary Polish scene. His continuous presence in Western and Eastern European theatres testifies to the broad appeal of his plays. The presentation of Mrozek's entire artistic profile is supplemented by information on the reception of his writings in Poland and abroad, including the most important performances of his plays. The volume also provides a chronology of Mrozek's life and works, a complete listing of primary texts in Polish, English and German, a list of theatrical premieres, and a bibliography of secondary sources.
Polish Camp Literature
Polish Camp Literature expands the boundaries of Polish camp literature, which has so far been defined too narrowly. This restricted outlook has been determined by politics, ideology, the scarcity of historical knowledge, the lack of literary research, and frequent manipulation concerning terms such as "concentration camp", "forced labor camp", and "death camp". Camp literature was initially limited to "Lager" literature (pertaining to Nazi German camps). Over time, gulag literature (pertaining to Soviet camps) came to be included as well. It turns out that Polish camp literature is much more extensive and richer. This volume consists of mini-monographs on Polish literary works concerning ei...
The Post-traumatic Theatre of Grotowski and Kantor
Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
The Clash of Moral Nations
Publisher Description
Polish Perspectives
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Geometric Methods in Physics XXXIX
This volume collects papers based on lectures given at the XXXIX Workshop on Geometric Methods in Physics, held in Białystok, Poland in June 2022. These chapters provide readers an overview of cutting-edge research in geometry, analysis, and a wide variety of other areas. Specific topics include: Classical and quantum field theories Infinite-dimensional groups Integrable systems Lie groupoids and Lie algebroids Representation theory Geometric Methods in Physics XXXIX will be a valuable resource for mathematicians and physicists interested in recent developments at the intersection of these areas.
An International Annotated Bibliography of Strindberg Studies 1870-2005: The plays
This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg...
The Polish Review
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