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Tea Is So Intoxicating
"I shall turn this into a tea-house, with lunches if requested, and shall serve pleasant meals in the orchard," announced David, "and with my penchant for cooking I ought to make a fortune." "Oh dear!" said Germayne. David Tompkins thinks it is a splendid idea to open a tea garden at his Kentish cottage. His wife, Germayne, is not so sure. The local villagers are divided on the matter, and not necessarily supportive, particularly Mr. Perch at the Dolphin, who sees it as direct competition to Mrs. Perch's own tea garden. It doesn't bode well when the official opening coincides with a break in the beautiful weather. Things are further complicated by the arrival of the "cake cook" Mimi, a Vienn...
Notable Women Authors of the Day
Typical of the genre of literature which presented short biographies of women to demonstrate their accomplishments, this book sketches the lives of twenty prominent British women.
British Women Mystery Writers
Many aspects of British detective fiction are intriguingly different from the American detective fiction. And, confusingly, many of the British women detectives who have made it to American television are far from typical of the latest women detectives. This work is a study of British detective fiction with female protagonists written by women. Authors included are P.D. James, Jennie Melville, Liza Cody, Val McDermid, Joan Smith and Susan Moody. Special attention is paid to the evolution of the British female sleuth from the 1960s to the year 2000, particularly the 1980s, and how this shaped and altered detective fiction. Also discussed is the effect of the British judicial system and gun laws on detective fiction and real life, the types of crimes women detectives usually investigate, why certain directions have been taken and which ones may be taken in the future, issues being raised by the authors, and new women authors of detective fiction with female protagonists.
Not Just Jane
“Not Just Jane restores seven of England’s most fascinating and subversive literary voices to their rightful places in history. Shelley DeWees tells each woman writer’s story with wit, passion, and an astute understanding of the society in which she lived and wrote.” —Dr. Amanda Foreman, New York Times bestselling author of Georgiana: Duchess of Devonshire Jane Austen and the Brontës endure as British literature’s leading ladies (and for good reason)—but were these reclusive parsons’ daughters really the only writing women of their day? A feminist history of literary Britain, this witty, fascinating nonfiction debut explores the extraordinary lives and work of seven long-for...
Katherine Parr
To the extent that she is popularly known, Katherine Parr (1512–48) is the woman who survived King Henry VIII as his sixth and last wife. She merits far greater recognition, however, on several other fronts. Fluent in French, Italian, and Latin, Parr also began, out of necessity, to learn Spanish when she ascended to the throne in 1543. As Henry’s wife and queen of England, she was a noted patron of the arts and music and took a personal interest in the education of her stepchildren, Princesses Mary and Elizabeth and Prince Edward. Above all, Parr commands interest for her literary labors: she was the first woman to publish under her own name in English in England. For this new edition, ...
How to Suppress Women's Writing
Discusses the obstacles women have had to overcome in order to become writers, and identifies the sexist rationalizations used to trivialize their contributions
Women, Writing and Religion in England and Beyond, 650–1100
Women's literary histories usually start in the later Middle Ages, but recent scholarship has shown that actually women were at the heart of the emergence of the English literary tradition. Women, Writing and Religion in England and Beyond, 650–1100 focuses on the period before the so-called 'Barking Renaissance' of women's writing in the 12th century. By examining the surviving evidence of women's authorship, as well as the evidence of women's engagement with literary culture more widely, Diane Watt argues that early women's writing was often lost, suppressed, or deliberately destroyed. In particular she considers the different forms of male 'overwriting', to which she ascribes the multip...
Dangerous Ages
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Women and Literature in Britain, 1700-1800
This book, first published in 2000, is an authoritative volume of new essays on women's writing and reading in the eighteenth century.
Flour Babies
When his class of underachievers is assigned to spend three torturous weeks taking care of their own babies in the form of bags of flour, Simon makes amazing discoveries about himself while coming to terms with his long-absent father.
