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Ten interdisciplinary essays provide detailed, small-scale studies of a variety of medieval female communities from Germany to Wales between 1200 and 1500, examining a range of social, economic, and cultural groups, both religious and secular.
Medieval Women's Writing is a major new contribution to our understanding of women's writing in England, 1100-1500. The most comprehensive account to date, it includes writings in Latin and French as well as English, and works for as well as by women. Marie de France, Clemence of Barking, Julian of Norwich, Margery Kempe, and the Paston women are discussed alongside the Old English lives of women saints, The Life of Christina of Markyate, the St Albans Psalter, and the legends of women saints by Osbern Bokenham. Medieval Women's Writing addresses these key questions: Who were the first women authors in the English canon? What do we mean by women's writing in the Middle Ages? What do we mean ...
This book focuses on the period before the so-called 'Barking Renaissance' of women's writing in the 12th century. By examining the surviving evidence of women's authorship, as well as the evidence of women's engagement with literary culture more widely, Watt argues that early women's writing was often lost, suppressed, or deliberately destroyed. Watt examines women's literary engagement in monasteries such as Ely, Whitby, Barking and Wilton Abbey, as well as letters and hagiographies from the 8th and 9th centuries. She provides a look at women's writing in the early medieval period to understand women's literary history more broadly.
"The English women prophets and visionaries whose voices are recovered here all lived between the twelfth and the seventeenth centuries and claimed, through the medium of trances and eucharistic piety, to speak for God. [...] Through prophecy they were often able to intervene in the religious and political discourse of their times: the role of God's secretary gave them the opportunity to act and speak autonomously and publicly"--Back cover.
Dear Sister: Medieval Women and the Epistolary Genre explores women's contributions to letter writing in Western Europe from the sixth to the sixteenth centuries. The essays represent the first attempt to chart medieval women's achievements in epistolarity, and the contributors to this volume situate the women writers in a solidly historical context and employ a variety of feminist approaches. Both religious and secular writers are discussed, including Radegund, Hildegard of Bingen, Heloise, Catherine of Siena, the women of the Paston family, Christine de Pizan, and Maria de Hout.
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The Paston letters viewed in the context of medieval women's writing and medieval letter writing. The Paston letters form one of only two surviving collections of fifteenth-century correspondence, in their case especially rich in letters from the women of the family. Clandestine love affairs, secret marriages, violent family rows, bickering with neighbours, battles and sieges, threats of murder and kidnapping, fears of plague: these are just some of the topics discussed in the letters of the Paston women. Diane Watt's introduction seeks to place these letters in the context of medieval women's writing and and medieval letter writing. Her interpretive essay reconstructs the lives of these women by examining what the letters reveal about women's literacy and education, lifein the medieval household, religion and piety, health and medicine, and love, marriage, family relationships, and female friendships in the middle ages. Professor Diane Watt is Head of the School of English and Languages, University of Surrey.
A collection of essays by twelve historians and literary critics who explore Margery Kempe, her Book, and her world.
The stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603.
From Kehinde Wiley to W.E.B. Du Bois, from Nubia to Cuba, Willie Doherty's terror in ancient landscapes to the violence of institutional Neo-Gothic, Reagan's AIDS policies to Beowulf fanfiction, this richly diverse volume brings together art historians and literature scholars to articulate a more inclusive, intersectional medieval studies. It will be of interest to students working on the diaspora and migration, white settler colonialism and pogroms, Indigenous studies and decolonial methodology, slavery, genocide, and culturecide. The authors confront the often disturbing legacies of medieval studies and its current failures to own up to those, and also analyze fascist, nationalist, colonia...