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A COMPELLING AND ADDICTIVE PAGETURNER TO IMMERSE YOURSELF IN THIS SUMMER "He waits joylessly, patiently, and lets himself go. The stone house may end up being his grave. Who's doing what, who's chasing who? Who is the mouse, and who's the cat?" It's the middle of a long hot summer on the French Mediterranean shore and the town is full of tourists. Two tired cops who are being slowly devoured by dull routine and family worries, deal with the day's misdemeanours and petty complaints at the Perpignan police headquarters without a trace of enthusiasm. Out of the blue, a young Dutch woman is brutally murdered on the beach, and another disappears without a trace in the alleys of the city. A serial...
This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark Cityexpands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.
"Drifter" by Emily Mandel was selected for inclusion in The Best American Mystery Stories 2013, edited by Otto Penzler and Lisa Scottoline Original stories by: Peter James, Emily St. John Mandel, Barbara Baraldi, Mike Hodges, Mary Hoffman, Maria Tronca, Matteo Righetto, Tony Cartano, Francesco Ferracin, Isabella Santacroce, Michelle Lovric, Francesca Mazzucato, Maxim Jakubowski, and Michael Gregorio. "Forget the magnificence of Venice's art, architecture, and music, and delve into this tour of the City of Water's murky depths...visions of a Venice not seen in tourist brochures." --Publishers Weekly "Editor Jakubowski does an excellent job of selecting a variety of stories that represent all ...
Massimo Carlotto has been described as “the reigning king of Mediterranean noir” (Boston Phoenix), “more noir than even the toughest American noir” (Josh Bazell, author of Beat the Reaper), “about as gritty as they come” (The New York Times), and “the best living Italian crime writer” (Il Manifesto). Here, making his American debut, is Carlotto's most famous and beloved serial character: ex-con turned private investigator Marco Buratti, a.k.a The Alligator. Closing the door on a crime ridden past, Marco Buratti plans to spend the rest of his days in the darkness of a seedy nightclub sipping Calvados and listening to the blues. But things don't quite work out as he planned: th...
Brand-new stories by: Desmond Barry, Ken Bruen, Stewart Home, Barry Adamson, Michael Ward, Sylvie Simmons, Daniel Bennett, Cathi Unsworth, Max D charn , Martyn Waites, Joolz Denby, John Williams, Jerry Sykes, Mark Pilkington, Joe McNally, Patrick McCabe, and Ken Hollings. Cathi Unsworth moved to Ladbroke Grove in 1987 and has stayed there ever since. She began a career in rock writing with Sounds and Melody Maker, before co-editing the arts journal Purr and then Bizarre magazine. Her first novel, The Not Knowing, was published by Serpent's Tail in August 2005.
Sheri Chinen Biesen challenges conventional thinking on the origins of film noir and finds the genre's roots in the political, social and historical conditions of Hollywood during the Second World War.
A Washington Post Best Book of the Year: Based on true events, “a solidly crafted and satisfying detective story” set in 1960s Glasgow (The Guardian). It is 1969 and Glasgow is in the grip of the worst winter in decades. But it is something else that has Glaswegians on edge: a serial killer is at large. The brutality of The Quaker’s latest murder— a young woman snatched from a nightclub, her body dumped like trash in the back of a cold-water tenement—has the city trembling with fear, and the police investigation seems to be going nowhere. Duncan McCormick, a talented young detective from the Highlands, is brought into the investigation to identify where it’s gone wrong. An outsid...
THE SUNDAY TIMES BESTSELLER 'Fantastic' Lee Child 'Absolutely brilliant' Mick Herron If the truth's in the shadows, get out of the light . . . Lawyer Bobby Carter did a lot of work for the wrong type of people. Now he's dead and it was no accident. Besides a distraught family and a heap of powerful friends, Carter's left behind his share of enemies. So, who dealt the fatal blow? DC Jack Laidlaw's reputation precedes him. He's not a team player, but he's got a sixth sense for what's happening on the streets. His boss chalks the violence up to the usual rivalries, but is it that simple? As two Glasgow gangs go to war, Laidlaw needs to find out who got Carter before the whole city explodes. William McIlvanney's Laidlaw books changed the face of crime fiction. When he died in 2015, he left half a handwritten manuscript of Laidlaw's first case. Now, Ian Rankin is back to finish what McIlvanney started. In The Dark Remains, these two iconic authors bring to life the criminal world of 1970s Glasgow, and Laidlaw's relentless quest for truth.
Brand new stories by: Ken Bruen, Eoin Colfer, Jason Starr, Laura Lippman, Olen Steinhauer, Peter Spiegelman, Kevin Wignall, Jim Fusilli, John Rickards, Patrick J. Lambe, Charlie Stella, Ray Banks, James O. Born, Sarah Weinman, Pat Mullan, Gary Phillips, Craig McDonald, Duane Swierczynski, Reed Farrel Coleman, and others. Irish crime-fiction sensation Ken Bruen and cohorts shine a light on the dark streets of Dublin. Dublin Noir features an awe-inspiring cast of writers who between them have won all major mystery and crime-fiction awards. This collection introduces secret corners of a fascinating city and surprise assaults on the "Celtic Tiger" of modern Irish prosperity. "The stories paint a picture of Dublin as the Celtic Tiger, a beast crouched on its hind legs about leap at you and roaring with its intensity . . . The cynicism and despair of classic noir is portrayed within each of these stories." --Metro LA "Dublin Noir is perhaps the best short story anthology I've read." --Reviewing the Evidence