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Miró
Among the great 20th-century masters, the surrealist painter Joan Miró stands out for the atmosphere of wit and spontaneity that pervades his work. Mirós art went through many phases, and its major features his signs and symbols, his series of anguished peintures sauvages in the 1930s, his lyrical, poetic gouaches, his monumental sculptures and ceramics, his unprecedented use of poetic titles, and his attachment to nature and to the night are discussed here by Roland Penrose, a friend of the artist for almost five decades. A brief epilogue by Eduardo de Benito, London correspondent of the Spanish art periodical Lápiz, illustrates the developments of Mirós last years. This new revised edition, now illustrated in colour throughout, includes a foreword by Antony Penrose, outlining the relationship between his father and the artist, as well as updates to the Bibliography.
Atlas of World Art
Combines a survey of world art with maps showing the associations and dissemination of culture across the globe.
A World of Art
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World of Art
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Romantic Art
About Romantic art from the 18th-19th centuries.
Art Worlds
Argues that art works are not the creation of isolated individuals but result from cooperation between different artists, suppliers of materials, art distributors, critics, and audiences, who together make up the art world.
A World Art History and Its Objects
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
Why Are We 'Artists'?
'Art is not a luxury. Art is a basic social need to which everyone has a right'. This extraordinary collection of 100 artists' manifestos from across the globe over the last 100 years brings together political activists, anti-colonialists, surrealists, socialists, nihilists and a host of other voices. From the Négritude movement in Europe, Africa and Martinique to Japan's Bikyoto, from Iraqi modernism to Australian cyberfeminism, they are by turns personal, political, utopian, angry, sublime and revolutionary. Some have not been published in English before; some were written in climates of censorship and brutality; some contain visions of a future still on the horizon. What unites them is the belief that art can change the world.
The World of Art Deco
Captioned photographs and text depict furniture, sculpture, and miscellaneous objects in the decorative art style of the 1930's.
Arts of Southeast Asia
"The pagodas of Burma, the temples of Angkor, the great Buddhist monument of Borobudur - these achievements of powerful courts and rulers are the most familiar part of a broad artistic tradition that includes textiles, sculpture, offers new insights into the interpretation and importance of Southeast Asian art, and local artistis are embracing new subjects and media as the area opens up to world travel and communication. Covering Brunei, Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Singapore, Thailand and Vietnam, Dr Kerlogue examines the roots and development of the arts of this distinctive region from prehistory to the present day. The book traces the reflection of indigenous beliefs and world religions - Hinduism, Buddhism, Islam and Christianity - in artistic expression, arriving at an exploration of the post-colonial period."--Back cover.
