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Psychomachia
Psychomachia reads like an NA meeting with Donna Tartt, Joan Didion, DBC Pierre, James Frey, Angela Carter, Reinaldo Arenas, Virginia Despentes and JT Leroy battling their collective consciousness. Literature like this is usually presented through the male gaze, hence the fashion and rock n roll literati naming Kirsty Allison London's finest. She's hilarious - she's fucked up. Scarlet Flagg is so wasted, she doesn't know if she killed the arch patriarch of rock n roll, Malachi Wright of Wright States International Touring after he raped her at a festival at 14. Scarlet is the kinda girl you wanna help, fuck, and leave. But is she dangerous? Did she murder Malachi or was it her boyfriend, Igg...
Park by the River
Separated from far-flung family and friends by lockdown, an old man passes the hours of a global crisis in splendid isolation, with only his own thoughts, fears, fantasies and memories for company. Endlessly pacing from the park at the end of his road to a near-abandoned city centre and back, our latter-day Robinson Crusoe travels round and round the houses only to descend deeper within himself, along a well-trodden path leading either to self-knowledge and understanding or madness. Or more likely both at once. As the cold spectre of Winter confinement looms a chance encounter with a mysterious stranger seems to offer a precious opportunity for meaningful human contact - but is our urban castaway's new acquaintance all they seem? Are they even a stranger? Barney Farmer's third novel is a melancholic comedy of modern loneliness and historic loss, of one man's tussle with the void while a whole world slides down the pan.
Scraps
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Digging the Vein
Based on his own experiences as an addict and sidesman to diverse music acts, Tony O'Neill's 'Digging the Vein' explores LA's drug sub-culture - a slice of life that few tourists will ever get to see.
Take Me Up The Lighthouse
Dean Wilson: Hull's fourth best and Withernsea's second best poet, daily collector of pebbles and an enigma wrapped in rhyme. Since his relocation to a cliff-edge residence, Dean's creative juices have been flowing faster than the Humber into the North Sea and, inspired by his Holderness surroundings, he's been writing furiously. Take Me Up The Lighthouse is the result. Open up and enter the wonderful world of Mr Wilson.
The Reater
This is the sixth issue of The Reater. Started in winter 1997 it brings together challenging new British writing with the best of Southern California. It features established names alongside newcomers. Interleaved among the poetry and prose are interviews, reviews, and striking illustrations. The Reater is also an outlet for new and reprinted material by the great names of L.A./Long Beach literature: Charles Bukowski, Gerald Locklin, Fred Voss, Joan Jobe Smith and others. Myers, Sean O'Brien, Peter Pegnall, Antony Dunn, Chrissie Gittins, Clare Pollard, Jude Alderson, David Crystal, Lisa Glatt, Greg Delanty, Dan Fante, Eva Salzman, Fred Voss, Tim Cumming, Jackie Wills, Margot Juby, Geoff Hattersley, Gerald Locklin, Joan Jobe Smith, Steve Dearden, Milner Place, Tim Turnbull, Roddy Lumsden and Brendan Cleary.
Killing the Horses
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The Know-It-Alls
The world’s tech giants are at the centre of controversies over fake news, free speech and hate speech on platforms where influence is bought and sold. Yet, at the outset, almost everyone thought the internet would be a positive, democratic force, a space where knowledge could be freely shared to enable everyone to make better-informed decisions. How did it all go so wrong? Noam Cohen reports on the tech libertarians of Silicon Valley, from the self-proclaimed geniuses Jeff Bezos, Peter Thiel, Reid Hoffman and Mark Zuckerberg to the early pioneers at Stanford University, who have not only made the internet what it is today but reshaped society in the process. It is the story of how the greed, bias and prejudice of one neighbourhood is fracturing the Western world.
Wrecking Ball: Diary of a Wimpy Kid (14)
An unexpected inheritance gives the Heffley family a chance to make major improvements to their home. But they soon find that construction isn’t all it’s cracked up to be. When things get rough, will the Heffleys be able to stay ... or will they be forced to move?
