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Since her early break-through at the Royal Court Theatre in 1995, where she won the George Devine award and was joint winner of the Verity Bargate Award, Judy Upton has proven herself to be one of Britain's most prolific and diverse writers. In this, her second collection, we see work ranging from 1995 through to the 2000s and a collection of short work created during the 2020 Coronavirus pandemic. Bruises (1995) Royal Court Theatre, London - "This is no angry polemic but a subtly atmospheric piece ... Neither writer nor director seeks easy answers in this coolly disturbing view of an issue usually hammered home with both fists." (Evening Standard) The Girlz (1998) Orange Tree, London - "Jud...
"Judy Upton's a playful writer who likes nothing better than to upset expectations" Independent Ashes and Sand: "Searing, brutal...Judy Upton's vicious little hand grenade of a play explodes onto the stage...her writing blazes with anger about the waste of a generation with no hopes" Independent "Sunspots confirms Upton as one of the most promising writers working in London at present" What's On People on the River: "A skilfully written and entertainingly hard-nosed look at the victim culture of tabloid telly" Time Out Stealing Souls: "The writing is diamond hard, slippery and clear like thin ice covering a particularly murky pond" Guardian Know Your Rights: "A moving and accomplished piece...Upton's play can dispense with arguments and right-on statements because in creating characters she develops situation." The Times
Upton's a playful writer who likes nothing better than to upset expectations Join the schemers and the dreamer on the English seafront, as another summer season begins. There's serious money to be made. Amongst the paint-peeling kiosks on the prom, Ella arrives like an erotic whilrwind, hell-bent on secruing the elusive jackpot and a ticket to Hollywood. But everyone else is raising their game too and, as events race towards an explosive conclusion, a pet hamster lies frozen amongst the melting Mivvis.
Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.
Original tales by remarkable writers Hometown Tales is a series of books pairing exciting new voices with some of the most talented and important writers at work today. Some of the tales are fiction and some are narrative non-fiction - they are all powerful, fascinating and moving, and aim to celebrate regional diversity and explore the meaning of home. In these pages on the South Coast, you'll find two unique tales. 'Margate Calling' is an intimate, honest and inspiring account of living in Margate by award-winning BBC broadcaster Gemma Cairney. 'Maisie and Mrs Webster' is a bold, fiercely funny and deeply moving piece of fiction about an obese young woman who is confined to her bed and longs to see the sea, by Brighton-based playwright Judy Upton.
Protect yourself from identity theft! Nearly 17 million Americans were victimized by identity theft in 2012 alone: for 13 straight years, it has been America's #1 consumer crime. No one is immune: children, the elderly and even the dead have been victimized. Identity theft can be high-tech, low-tech, or even no tech, via "dumpster diving." You're vulnerable, and you need to act. Fortunately, you can take practical steps to safeguard your identity right now. In Identity Theft Alert, award-winning author and attorney Steve Weisman shows you exactly what to do, and how to do it. Equally important, he also tells you what to stop doing: the common, inadvertent behaviors that could be setting you ...
''Judy Upton's a playful writer who likes nothing better than to upset expectations' Independent. Judy Upton's new play premiered at the Royal Court in August 2001 directed by Max Stafford-Clark Thirty five and on the slide, Suzanne does a runner back home to Brighton in search of a new start. But home is a place where big breaks are scarce. And kids grow up - fast. So how do you find what you want in a place like this? And who do you find it with? From the award-winning author of Ashes and Sand, Sliding with Suzanne is the powerful and bitterly humorous story of a single foster mum who tries to turn her life around.''
A brand new comedy by the writer of the hit play Stitching, published to tie in with the Royal Court's Christmas production from November 2002 Constables Blunt and Gobbel have one last duty to fulfil before they can finish their Christmas eve shift; telling the old couple at No. 58 some terrible news. But what if the shock is too much for them? Blunt and Gobbel didn't join up in order to ruin people's lives. Maybe they'd be happier not knowing. And maybe it would all be much easier if the two constables weren't also stuck in the middle of a full-scale village lynch-mob.
A comprehensive interdisciplinary collection offering a survey of adaptation of literary texts across media including animation, film, TV, fan fiction, biopics and music video.