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The Best of Write Bloody Anthology
A little bit of poetry and a little bit of rock and roll. Write Bloody Publishing is a unique poetry press started in 2004 by traveling poet, musician, comedian, magician and former paratrooper, Derrick C. Brown. After spending the mid 1990s and early 2000s book touring throughout Europe and the U.S., Brown realized the untapped potential in the contemporary poetry market for authors who were hitting the road reading in bars, theaters and clubs. Authors had to learn the art of building fan-bases by putting on entertaining readings. Their work also had to sing on the page. The road rambling poet was brought back to life. Within these 250 pages are road stories, tour posters and photos as well as the best poems the press has put out in the last few decades. From Clint Smith to Andrea Gibson and Sarah Kay, Write Bloody has paved the way for generations of poets to come.
A Write Bloody Catalog
Write Bloody Publishing's current catalog and order form.
Write Bloody, Spill Pretty
Write Bloody Spill Pretty is a collection of heart whispers, difficult conversations, hope, and experiences with unforgettable people, expressed through poem. It is the recorded journey of two women exploring and facing the world through five realms: places, purpose, Abba, him, and her. Arielle and Sarah chose to leave the poems author-less as an invitation to freely engage with their styles and exercise the imagination over whose voice is speaking. Ultimately, Write Bloody Spill Pretty is a celebration of the way these two authors' writing styles are wildly different yet simultaneously harmonic in their embrace of the fullness of humanity.
Pecking Order
Nicole Homer's first full-length poetry collection, Pecking Order, is an unflinching look at how race and gender politics play out in the domestic sphere. Homer challenges the notion of family by forcing the reader to examine how race, race performance, and colorism impact motherhood immediately and from generation to generation. In a world where race and color often determine treatment, the home should be sanctuary, but often is not. Homer's poems question the construction of racial identity and how familial love can both challenge and bolster that construction. Her poems range from the intimate details of motherhood to the universal experiences of parenting; the dynamics of multiracial families to parenting black children; and the ingrained social hierarchy which places the black mother at the bottom. Homer forces us to reckon with the truth that no one–not even the mother–is unbiased.
Amulet
This book is a powerful examination of life in America for Filipino Americans and people of Asian descent. Bayani doesn't preach, but he comes across as an energetic pastor, thoughtful, graceful and ready. This arsenal of work he has been sitting on for the past decade is funny, political, well crafted verses that shines a light on what it means to be an American, an artist, A Filipino.
After the Witch Hunt
As if she discovered a small army of silenced women captive in her pen, Megan Falley releases them in the spilled ink that is her most brilliant collection of poems, After the Witch Hunt. Demanding "if you really love a writer, bury her in all your awful and watch as she scrawls her way out," her book does exactly that. An incessant digging, a journey in building escape routes, armed with both humor and a brazen darkness, each poem in this book of bloodletting is another swing of the pick and axe in this young woman's labor, insistent upon light.
What We Are Given
What We Are Given is a poetic exploration of the bonds which bind and break us. The things we inherit, who we are and how we become them. An examination of what it means to be human that is in equal parts tender and gritty. Ollie O'Neill's poems navigate a series of emotions and relationships from romance to grief from family to friends. What We Are Given places everyday experiences under the microscope and allows us to understand how they come to be part of the bigger picture. It is unflinching in its honesty and intimacy - unafraid to embrace the dark whilst still leaving room for lightness.
Help in the Dark Season
The poems in Help in the Dark Season expose lessons of adult and childhood trauma, relationship joys and failures, and the all-around hard work of true togetherness. Help in the Dark Season explores the pathway of human love as it begins in the dark, moves into parental hands, transfers into to experiments of the heart, grows, breaks, and ultimately transforms us more than any other experience we withstand. Each poem walks us into Jacqueline Suskin’s world, where dreams and sacred visions are just as important as reality, where planet earth is an active character and spouse, and every attempt at love adds up as wisdom worth remembering. There are so many ways for us to access love; these poems map this personal process, uncovering the helpful tools and healing realizations that Suskin has gathered while conjuring up and relentlessly believing in love. Even when it hurts us the most and causes the worst confusion, even when it’s laughable and foolish, these poems aim to provide proof that human connection is crucial and always worth the risk.
Favorite Daughter
Favorite Daughter is a poetry collection trying to uproot America from inside the body, and find where China is buried underneath. Divided into four parts, Daughter explores ideas like navigating hybridity, localism, and harmony in ways that disturb commonly-held notions about broad terms like "belonging" and "cultural struggle." A compilation of immigration stories, Chinese radio segments, Google translate entries, and dictionary remixes, Huang immerses herself in everything she is uncertain of.
The Year of No Mistakes
In The Year of No Mistakes, Aptowicz goes cross country and tackles themes like love, lust, heartache and ambition in poems set in cities across the United States. While the backbone of the book is the slow break-up of her decade-long relationship, the heart remains Aptowicz falling in love with Americana. Sharply observant and unflinchingly truthful, her poems may be funny or heartbreaking, spare or lush, bright or dark, but they are always honest and engaging working class poems. Written during the fellowship year of her National Endowment for the Arts grant, poems from this collection have already been published in over four dozen literary journals and have been performed in venues across the country.
