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Sonochemistry
In the 1980’s sonochemistry was considered to be a rather restricted branch of chemistry mainly involving the ways in which ultrasound could improve synthetic procedures, predominantly in heterogeneous systems and particularly for organometallic reactions. This volume traces the evolution of sonochemistry from a century ago when the effects of acoustic cavitation were first reported almost as a scientific curiosity, through the 1980’s to the present. It describes the ways in which scientific interest grew rapidly during the 1990’s with the formation of the European Society of Sonochemistry in 1990 and the launch of a new journal Ultrasonics Sonochemistry in 1994. It also includes two c...
Joyce's Audiences
This book presents for the first time a collective examination of the issue of audience in relation to Joyce’s work and the cultural moments of its reception. While many of the essays gathered in this volume are concerned with particular readers and readings of Joyce’s work, they all, individually and generally, gesture at something broader than a specific act of reception. Joyce’s Audiences is an important narrative of the cultural receptions of Joyce but it is also an exploration of the author’s own fascination with audiences, reflecting a wider concern with reading and interpretation in general. Twelve essays by an international cast of Joyce critics deal with: the censorship and ...
Translation Studies and China
Focusing on transculturality, this edited volume explores how the role of translation and the idea of (un)translatability in the transformative complementation of different civilizations facilitates the transcultural connection between Chinese and other cultures in the modern era. Bringing together established international scholars and emerging new voices, this collection explores the linguistic, social, and cultural implications of translation and transculturality. The 13 chapters not only discuss the translation of literature, but also break new ground by addressing the translation of cinema, performance, and the visual arts, which are active bearer of modern and contemporary culture that...
Always a Winner
"In much the same way that Good to Great uncovered hitherto hidden secrets of highly successful companies, Navarro’s Always a Winner uses extensive research to reveal the overriding importance of learning how to forecast and strategically manage the business cycle for competitive advantage. In doing so, this book provocatively explores a critical aspect of successful management virtually untapped by the existing strategy literature." —Dan DiMicco, Chairman and Chief Executive Officer, Nucor Steel " Always a Winner is an important and timely guide to thriving in challenging economic times. Prof. Navarro deftly bridges the academic and business communities, showing corporate leaders how to...
Affect, Emotions and Power in Development Studies Theory and Practice
This book advances new research directions that explore the emotional and affective dimensions of development. Going beyond merely placing emotion and/or affect as the objects of study, it examines ‘development’ in fresh ways through analysis of its affective dimensions. Affect and emotions are complicit in the structural conditions that sustain material and social inequalities and deprivations, and critical to the potential for disruption and transformation. The chapters in this volume demonstrate how affect and emotions enrich understandings of, or rethink power configurations in development while being attentive to forces of destabilization and creativity. They unravel the subtleties ...
Film and Urban Space
Film and Urban Space: Critical Possibilities traces recurring debates about what constitutes film's political potential and argues that the relation between film and urban space has been crucial to these debates and their historical transformations. The book demonstrates that in the attempt to follow certain prescriptions shooting on location, disrupting normalizing time, experimenting with memory, interlinking the spaces of screen and cinema films invariably use the relation between film and urban space as a kind of laboratory, testing anew received prescriptions but invariably encountering new opportunities and new limits. A wide range of key films, from Dziga Vertov's 1928 Man with a Movie Camera to Jia Zhangke's 2008 24 City, are discussed in depth, each offering an argument for how the encounter between specific manifestations of modern urban space and politically engaged film strategies has served to challenge the status quo and stimulate critical thinking.
