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China's Cultural Diplomacy
This book examines China’s contemporary global cultural footprints through its recent development of cultural diplomacy. The volume presents an alternative analytical framework to examine China’s cultural diplomacy, which goes beyond the Western-defined concept of ‘soft power’ that prevails in the current literature. This new approach constructs a three-dimensional framework on Orientalism, cultural hegemony and nationalism to decipher the multiple contexts, which China inhabits historically, internationally and domestically. The book presents multiple case studies of the Confucius Institute, and compares the global programme located around the world with its Western counterparts, and also with other Chinese government-sponsored endeavours and non-government-initiated programmes. The author aims to solve the puzzle of why China’s efforts in cultural diplomacy are perceived differently around the world and helps to outline the distinctive features of China’s cultural diplomacy. This book will be of much interest to students of diplomacy, Chinese politics, foreign policy and International Relations in general.
The Mirage of China
Today's world is one marked by the signs of digital capitalism and global capitalist expansion, and China is increasingly being integrated into this global system of production and consumption. As a result, China's immediate material impact is now felt almost everywhere in the world; however, the significance and process of this integration is far from understood. This study shows how the a priori categories of statistical reasoning came to be re-born and re-lived in the People's Republic - as essential conditions for the possibility of a new mode of knowledge and governance. From the ruins of the Maoist revolution China has risen through a mode of quantitative self-objectification. As the author argues, an epistemological rift has separated the Maoist years from the present age of the People's Republic, which appears on the global stage as a mirage. This study is an ethnographic investigation of concepts - of the conceptual forces that have produced and been produced by - two forms of knowledge, life, and governance. As the author shows, the world of China, contrary to the common view, is not the Chinese world; it is a symptomatic moment of our world at the present time.
In One's Own Shadow
China underwent a dramatic social transformation in the last decade of the twentieth century. This powerful ethnographic study of one community focuses on the logic of everyday practice in post-reform rural China. Enriched with many vivid anecdotes describing life in the village of Zhaojiahe in northwestern China, In One's Own Shadow skillfully analyzes the changes and continuities marking the recent history of this region and highlights the broader implications for the way we understand Chinese modernity. Liu's narrative provides a wonderfully evocative exploration of many domains of everyday life such as kinship and marriage traditions, food systems, ceremonial celebrations, social relations, and village politics. He brings to life many of the personalities and customs of Zhaojiahe as he presents the villagers' strategies to modernize in an environment of scarce resources and a discredited cultural heritage. This accessibly written ethnography will be an essential contribution to the anthropology of China.
Computational Trust Models and Machine Learning
Computational Trust Models and Machine Learning provides a detailed introduction to the concept of trust and its application in various computer science areas, including multi-agent systems, online social networks, and communication systems. Identifying trust modeling challenges that cannot be addressed by traditional approaches, this book: Explains how reputation-based systems are used to determine trust in diverse online communities Describes how machine learning techniques are employed to build robust reputation systems Explores two distinctive approaches to determining credibility of resources—one where the human role is implicit, and one that leverages human input explicitly Shows how decision support can be facilitated by computational trust models Discusses collaborative filtering-based trust aware recommendation systems Defines a framework for translating a trust modeling problem into a learning problem Investigates the objectivity of human feedback, emphasizing the need to filter out outlying opinions Computational Trust Models and Machine Learning effectively demonstrates how novel machine learning techniques can improve the accuracy of trust assessment.
The Otherness of Self
An exploration of the conflict between traditional Chinese ideology and modern Chinese business practice
Re Visioning Composition Textbooks
Explores the cultures, ideologies, traditions, and the material and political conditions that influence the writing and publishing of textbooks.
Death's End
Read the award-winning, critically acclaimed, multi-million-copy-selling science-fiction phenomenon – soon to be a Netflix Original Series from the creators of Game of Thrones. Half a century after the Doomsday Battle, the uneasy balance of Dark Forest Deterrence keeps the Trisolaran invaders at bay. Earth enjoys unprecedented prosperity due to the infusion of Trisolaran knowledge and, with human science advancing and the Trisolarans adopting Earth culture, it seems that the two civilizations can co-exist peacefully as equals without the terrible threat of mutually assured annihilation. But peace has made humanity complacent. Cheng Xin, an aerospace engineer from the 21st century, awakens ...
An Empty Room: Stories
A dazzling cycle of short stories by one of China’s most revered contemporary writers and one of the world’s leading artist-intellectuals. An Empty Room is the first book by the celebrated Chinese writer Mu Xin to appear in English. A cycle of thirteen tenderly evocative stories written while Mu Xin was living in exile, this collection is reminiscent of the structural beauty of Hemingway’s In Our Time and the imagistic power of Kawabata’s palm-of-the-hand stories. From the ordinary (a bus accident) to the unusual (Buddhist halos) to the wise (Goethe, Lao Zi), Mu Xin’s wandering “I” interweaves plots with philosophical grace and spiritual profundity. A small blue bowl becomes a symbol of vanishing childhood; a painter in a race against fading memory scribbles notes in an underground prison during the Cultural Revolution; an abandoned temple room holds a dark mystery. An Empty Room is a soul-stirring page turner, a Sebaldian reverie of passing time, loss, and humanity regained.
