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The Road to East Slope
Su Shi (1037-1101) is the greatest poet of the Song Dynasty, a man whose writings and image defined some of the enduring central themes of the Chinese cultural tradition. Su Shi was not only the best poet of his time, he was also a government official, a major prose stylist, a noted calligrapher, an avid herbalist, a dabbler in alchemy, and a broadly learned scholar. The author shows how this complex personality was embodied in Su Shi's work and traces the evolution of his poems from juvenilia to the poems written in exile in Huangzhou, where Su settled on a farm at East Slope.
Nominal Things
Introduction -- Part I. The lexical picture. Names as implements; Picturing names -- Part II. The empirical impression. The style of antiquity; Agents of change; Nominal empiricism -- Part III. The schematic thing. Substance into schema; Nominal casting -- Conclusion.
Imperial China, 900–1800
In this history of China for the 900-year span of the late imperial period, Mote highlights the personal characteristics of the rulers and dynasties and probes the cultural theme of Chinese adaptations to recurrent alien rule. Generational events, personalities, and the spirit of the age combine to yield a comprehensive history of the civilization.
On Sacred Grounds
"The sacred landscape of imperial China was dotted with Buddhist monasteries, Daoist temples, shrines to local deities, and the altars of the mandarinate. Prominent among the official shrines were the temples in every capital throughout the empire devoted to the veneration of Confucius. Twice a year members of the educated elite and officials in each area gathered to offer sacrifices to Confucius, his disciples, and the major scholars of the Confucian tradition. The worship of Confucius is one of the least understood aspects of Confucianism, even though the temple and the cult were highly visible signs of Confucianism’s existence in imperial China. To many modern observers of traditional C...
Historical Records of the Five Dynasties
Written by Ouyang Xiu (1007-1072), an intellectual giant of the Song dynasty, Historical Records of the Five Dynasties offers a compelling interpretation of the Five Dynasties period (907-979). In overhauling the existing official history, Ouyang Xiu made several notable decisions. He recast the entire narrative in the popular "ancient" style to make for a rare fluency. He adopted rigorous moral categories to evaluate historical figures, reflecting the new regimen of his day. He also annotated portions of the text to establish a methodology for future writers. The Historical Records thereby became the official version-the last of China's dynastic histories to be written by an individual in a private capacity. In addition to its provocative commentary and lucid presentation, Historical Records is an eloquent statement on the art and craft of historical writing in the eleventh century.
Death Rituals and Politics in Northern Song China
This study examines how political and legal disputes regarding the performance of death rituals contributed to shape a revival of Confucianism in eleventh-century Northern Song China.
The Upright Brush
In the history of Chinese calligraphy, few are more famous than the eighth-century statesman Yan Zhenqing (709-785). His style is still taught today as a standard, and Chinese bookstores the world over stock inexpensive reproductions of his works for sale as copybooks. Yet Yan's style cannot be called conventionally attractive. "Correct," "severe," "serious," "forceful" are terms habitually applied to describe his writing--rarely has his calligraphy been called graceful or beautiful. How, then, did Yan earn such an eminent place in the history of art? In The Upright Brush, Amy McNair argues for the political rather than purely aesthetic basis for Yan Zhenqing's artistic reputation. She shows...
An Historical Sketch of Chinese Historiography
This book systematically traces the development of Chinese historiography from the 2nd century B.C. to the 19th century A.D. Refusing to fit the Chinese historical narration into the modern Western discourse, the author highlights the significant questions that concern traditional historians, their philosophical foundations, their development over three thousand years and their influence on the intelligentsia. China is a country defined in terms of its history and its historians have worked hard to record the past. However, this book approaches Chinese history from the very beginning not only as a way of recording, but also as a way of dealing with the past in order to orient the people of the present in the temporal dimension of their lives. This book was listed as the key textbook of the “Eleventh Five-year Plan” for college students in China.
Sources of Chinese Tradition
A collection of seminal primary readings on the social, intellectual, and religious traditions of China, Sources of Chinese Tradition, Volume 1 has been widely used and praised for almost forty years as an authoritative resource for scholars and students and as a thorough and engaging introduction for general readers. Here at last is a completely revised and expanded edition of this classic sourcebook, compiled by noted China scholars Wm. Theodore de Bary and Irene Bloom. Updated to reflect recent scholarly developments, with extensive material on popular thought and religion, social roles, and women's education, this edition features new translations of more than half the works from the fir...
