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This book constitutes the refereed post-conference proceedings of the 10th International Conference on Mobile Networks and Management, MONAMI 2020, held in Chiba, Japan, in November 2020. The conference was held virtually due to the COVID-19 pandemic.The 19 full papers were carefully reviewed and selected from 41 submissions. The papers are divided into groups of content as follows: Application of artificial intelligence for smart city; Advanced technology in edge computing; Recent advances in mobile communications and computing; Emerging technologies and applications in mobile networks and management.
"Tracing the formation of the modern concept of literature in 20th century China, this book examines the emergence of the Chinese socialist realist novel in relation to the literary and philosophical currents globalized in the wake of capitalist modernity"--Provided by publisher.
This book constitutes the refereed post-conference proceedings of the 11th International Conference on Mobile Networks and Management, MONAMI 2021, held in October 2021. The conference was held virtually due to the COVID-19 pandemic. The 26 full papers were carefully reviewed and selected from 53 submissions. The papers are divided into groups of content as follows: The application of artificial intelligence for smart city; Advanced technology in edge and fog computing; Emerging technologies and applications in mobile networks and management; and Recent advances in communications and computing.
This biography of the court scholar Xun Xu explores central areas of intellectual life in third-century China — court lyrics, music, metrology, pitch systems, archeology, and historiography. It clarifies the relevant source texts in order to reveal fierce debates. Besides solving technical puzzles about the material details of court rites, the book unfolds factional struggles that developed into scholarly ones. Xun’s opponents were major figures like Zhang Hua and Zhi Yu. Xun Xu’s overall approach to antiquity and the derivation of truth made appeals to an idealized Zhou for authority. Ultimately, Xun’s precision and methods cost him both reputation and court status. The events mark a turning point in which ideals were moving away from such court constructs toward a relatively more philosophical antiquarianism and towards new terms and genres of self-expression.
In the period between the 1920s and 1940s, a genre emerged in Chinese literature that would reveal crucial contradictions in Chinese culture that still exist today. At a time of intense political conflict, Chinese women began to write autobiography, a genre that focused on personal identity and self-exploration rather than the national, collective identity that the country was championing. When "I" Was Born: Women's Autobiography in Modern China reclaims the voices of these particular writers, voices that have been misinterpreted and overlooked for decades. Tracing women writers as they move from autobiographical fiction, often self-revelatory and personal, to explicit autobiographies that f...
Shao Xunmei, poet, essayist, publisher, and printer, played a significant role in the publication and dissemination of journals and pictorial magazines in Shanghai during the 1920s and 1930s. His poetry has been translated by several prominent scholars through the years, but remarkably few of his essays have received the same attention, and this is the first collection of his prose writings to be published in English. Shao has been described by a phalanx of scholars as the most seriously underestimated modern cultural Chinese figure. This collection of his writings joins several recent publications that aim to raise Shao’s literary and historical profile. It will appeal to a broad swathe o...
"This singular work presents the most comprehensive and nuanced study available in any Western language of Chinese aesthetic thought and practice during the Six Dynasties (A.D. 220-589). Despite a succession of dynastic and social upheavals, the literati preoccupied themselves with both the sensuous and the transcendent and strove for cultural dominance. By the end of the sixth century, their reflections would evolve into a sophisticated system of aesthetic discourse characterized by its own rhetoric and concepts." "Chinese Aesthetics will fill a gap in Western sinological studies of the period. It will appeal to scholars and students in premodern Chinese literary studies, comparative aesthetics, and cultural studies and will be a welcome reference to anyone interested in ancient Chinese culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
This book provides an in-depth examination of recent research advances in cloud-edge-end computing, covering theory, technologies, architectures, methods, applications, and future research directions. It aims to present state-of-the-art models and optimization methods for fusing and integrating clouds, edges, and devices. Cloud-edge-end computing provides users with low-latency, high-reliability, and cost-effective services through the fusion and integration of clouds, edges, and devices. As a result, it is now widely used in various application scenarios. The book introduces the background and fundamental concepts of clouds, edges, and devices, and details the evolution, concepts, enabling ...