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When Fallon and aspiring novelist Ben meet and fall in love the day before Fallon's cross-country move, they vow to meet on the same date every year, until Fallon suspects Ben is fabricating their relationship to create the perfect plot twist.
The Planetary Humanism of European Women’s Science Fiction argues that utopian science fiction written by European women has, since the seventeenth century, played an important role in exploring the racial and gender possibilities of the outer limits of the humanist imagination. This book focuses on six works of science fiction from the UK, France, Spain, and Italy: Jennifer Marie Brissett’s Elysium; Nicoletta Vallorani’s Sulla Sabbia di Sur and Il Cuore Finto di DR; Aliette de Bodard’s Xuya Universe series; Elia Barcelo’s Consecuencias Naturales; and Historias del Crazy Bar, a collection of stories by Lola Robles and Maria Concepcion Regueiro. It sets these in conversation with ke...
Science fiction as a vital bridge between technoscience and culture, an early warning system, a method for imagining differently. In the new millennium, science fiction has moved from the margins to the mainstream. At the same time, it has undergone massive transformations. No longer can it be derided as indigestible technobabble or escapist trash or a white man’s playground—not that it ever really was. Sf is rich and diverse, serious, and fun. A vital bridge between technoscience and culture, it is an early warning system, a method for imagining differently, and a way of experiencing our increasingly science-fictional world. It is the vernacular of the 21st century. This Is Not A Scienc...
"Emecheta's fluent prose...is steeped in the tradition of a difficult rural African life."—The New York Times. An allegorical tale, in which a collision between Westerners and tribal members imperils the stoic traditionalism of the Africans.
The past few years mark a growing scholarly interest in African children's literature in the United States. Several books have recently been published on the subject, and the number of papers on African children's literature presented at conferences or published in scholarly journals also seems to have increased. These publications are becoming more and more sophisticated as scholars move away from general country surveys or analyses of publishing conditions and instead analyze literary structures, themes, and illustrations, or apply Marxist, feminist, or postcolonial theories to interpret literary works. The question of an authentic voice in postcolonial African children's literature has em...