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Numbers Don’t Lie gives readers a multilayered understanding of basketball analytics on its own terms, describes the historical and contemporary conditions in basketball culture, science, and society that have facilitated the rise of basketball analytics, and shows the varying impact of basketball analytics.
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more seri...
Despite the increasing number of popular and celebrated sports documentaries in contemporary culture, such as ESPN’s 30 for 30 series, there has been little scholarly engagement with this genre. Sports documentaries, like all films, do not merely showcase objective reality but rather construct specific versions of sporting culture that serve distinct economic, industrial, institutional, historical, and sociopolitical ends ripe for criticism, contextualization, and exploration. Sporting Realities brings together a diverse group of scholars to probe the sports documentary’s cultural meanings, aesthetic practices, industrial and commercial dimensions, and political contours across historical, social, medium-specific, and geographic contexts. It considers and critiques the sports documentary’s visible and powerful position in contemporary culture and forges novel connections between the study of nonfiction media and sport.
The contributors to Somaesthetics and Sport explore our embodied experiences of watching and playing sport, including sport’s beauty; the place of exercise in our sense of living a good life; and how we cope with pain and suffering.
An in-depth and multiperspectival look at the Astros’ sign-stealing scandal and its roots in the culture of baseball fandom. In 2017 the Houston Astros won their first World Series title, a particularly uplifting victory for the city following Hurricane Harvey. But two years later, the feel-good energy was gone after The Athletic revealed that the Astros had stolen signs from opposing catchers during their championship season, perhaps even during the playoffs and World Series. Their methods were at once high-tech and crude: staff took video of opponents’ pitching signals and transmitted the footage in real time to the Astros’ dugout, where players banged on trash cans to signal to thei...
Following the 1992 Olympics in Barcelona and the success and celebrity of the Dream Team, the NBA became a global sensation. Around the same time, and despite ardent warnings from his parents, Arthur Griffiths purchased an NBA team that would become the expansion Vancouver Grizzlies. Who better to restore the Dream City, he thought, than the NBA? Expansion franchises went to Vancouver and Toronto—the Canadian cities of choice as the NBA grew its international brand. But while Toronto thrived under the rising star of Vince Carter, Vancouver floundered under serial mismanagement. Six seasons wasted, the Grizzlies relocated to Memphis, where they clawed their way to victories both on the cour...
From athletes praising God to pastors using sport metaphors in the pulpit, the association between sport and religion in North America is often considered incidental. Yet religion and sport have been tightly intertwined for millennia and continue to inform, shape, and critique one another. Moreover, sport, rather than being a solely secular activity, is one of the most important sites for debates over gender, race, capitalism, the media, and civil religion. Traditionally, scholarly writings on religion and sport have focused on the question of whether sport is a religion, using historical, philosophical, theological, and sociological insights to argue this matter. While these efforts sought ...
Sport and Psychoanalysis: What Sport Reveals about Our Unconscious Desires, Fantasies, and Fears explores the intersection of sport and psychoanalysis, emphasizing the often-overlooked psycho-social dimensions underpinning the experience of sport. By challenging the idea that sport offers an “escape” from reality—a realm separate to the politics of everyday life—each chapter critically considers the unconscious desires, fantasies, and fears that underpin the sporting spectacle for both participants and spectators. Indeed, beyond simply applying psychoanalysis to sport, this book proposes how sport can be used to pose questions to psychoanalysis, thus using sport as a medium to elucid...
How Michael Jordan’s path to greatness was shaped by race, politics, and the consequences of fame To become the most revered basketball player in America, it wasn’t enough for Michael Jordan to merely excel on the court. He also had to become something he never intended: a hero. Reconstructing the defining moment of Jordan’s career—winning his first NBA championship during the 1990-1991 season—sports historian Johnny Smith examines Jordan’s ubiquitous rise in American culture and the burden he carried as a national symbol of racial progress. Jumpman reveals how Jordan maintained a “mystique” that allowed him to seem more likable to Americans who wanted to believe race no longer mattered. In the process of achieving greatness, he remade himself into a paradox: universally known, yet distant and unknowable. Blending dramatic game action with grand evocations of the social forces sweeping the early nineties, Jumpman demonstrates how the man and the myth together created the legend we remember today.
“Antología de la poesía espectacular es esta cosa heterónima o heteronómica -gay, en todo caso- de inventarse autores para que firmen tus delirios. Alejarse de la propia obra interponiendo culpables significa que uno se gusta mucho, y le da vergüenza, motivo por el cual firma como otro y así puede releerse con placer mayor.”