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MA YANSONG
MAD works in forward-looking environments developing futuristic architecture based on a contemporary interpretation of the eastern spirit of nature. All of MAD's projects - from residential complexes or offices to cultural centres - desire to protect a sense of community and orientation toward nature, offering people the freedom to develop their own experience. Founded in 2004 by Ma Yansong, the office first earned worldwide attention in 2006 by winning an international competition to design a residential tower near Toronto, expected to be completed in the summer of 2012. MAD has been commissioned by clients of all backgrounds, leading to an intriguing combination of diverse project designs. MAD's ongoing projects include two major cultural projects in Harbin: the China Wood Sculpture Museum and Harbin Culture Island, an opera house and cultural center that will retain the original wetlands as an urban park between the old and new city. MAD is led by Ma Yansong, Dang Qun and Yosuke Hayano. They have been awarded the Young Architecture Award from the New York Institute of Architects in 2006 and the 2011 RIBA international fellowship.
The Literature and Cultural Ecology of Imperial Examinations in the Ming Dynasty
The book examines the relationship between imperial examinations and literature from the perspective of restoring the cultural ecology of imperial examinations in Ming China, breaking through the paradigm of pure literature research. This book presents an important practice in adjusting the pattern of literary research. The contents of this book include five mutually independent but supportive parts: 1) the living conditions and careers of the literary attendants; 2) the educational background and school’s consciousness of the Ming literati; 3) top candidates and Ming literature; 4) genres of imperial examination and the Ming society; 5) exam cheating cases from the perspective of politics and literature. This book will appeal to readers interested in Chinese literature and culture and the imperial examination system in ancient China.
Pepper Mountain
First published in 2007. The political history of late imperial/early modern China and the relationship between China's traditional political culture and the rapidly changing political environment of China today, are examined through this study of the iconic figure of Yang Jisheng. Born in 1516, Yang had a brief and traumatic career as a junior official in the middle Ming dynasty, before being executed in 1555 for criticising the politics of the imperial state. After his death, Yang was held up as a martyr to Confucian political morality. Over the ensuing 450 years, a variety of constituencies within China have appropriated and deployed Yang's memory in different ways to promote their own po...
Selected Biographies of Treacherous Officials in Ancient China
The book is the volume of "Selected Biographies of Treacherous Officials in Ancient China" among a series of books for "100 Biographies on Chinese Historical Figures".
The Crafting of the 10,000 Things
The last decades of the Ming dynasty, though plagued by chaos and destruction, saw a significant increase of publications that examined advances in knowledge and technology. Among the numerous guides and reference books that appeared during this period was a series of texts by Song Yingxing (1587–1666?), a minor local official living in southern China. His Tiangong kaiwu, the longest and most prominent of these works, documents the extraction and processing of raw materials and the manufacture of goods essential to everyday life, from yeast and wine to paper and ink to boats, carts, and firearms. In The Crafting of the 10,000 Things, Dagmar Schäfer probes this fascinating text and the leg...
Four Seasons
This important contribution to imperial Chinese history illuminates the basic concerns of the Ming state. Eminent scholar John W. Dardess shows in fascinating detail how Emperor Jiajing and his grand secretaries managed affairs of state and how personal ambition and policy differences combined to animate imperial political life. At the top sat Jiajing, industrious, religious, knowledgeable, ritually pious, but short-tempered and cruel. His chief assistants during his forty-six-year reign were his four successive grand secretaries. First was Zhang Fujing, a hard-minded bureaucratic fighter and ideologue, life coach to Jiajing during his youth. Then came Xia Yan, a superb technocrat who was ex...
History of Ming Dynasty (Part II)
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
The Quest for Gentility in China
The quest for gentility has shaped Chinese civilization and the formation of culture in China until the present day. This book analyzes social aspirations and cultural practices in China from 1550 to 1999, showing how the notion of gentility has evolved and retained its relevance in China from late imperial times until the modern day. Gentility denotes the way of the gentleman and gentlewoman. The concept of gentility transcends the categories of gender and class and provides important new insights into the ways Chinese men and women lived their lives, perceived their world and constructed their cultural environment. In contrast to analyses of the elite, perceptions of gentility relate to id...
Chinese Literary Criticism of the Ch’ing Period (1644–1911)
In the Ch'ing period, traditional Chinese literary criticism reached its zenith. The ten essays in this volume, all papers presented at a research conference on Ch'ing literary criticism at Stanford University in June 1992, provide a good glimpse of both the breadth and depth of Ch'ing literary criticism, and point to ways to pursue a more thorough and systematic study of literary criticism of this period. Five essays in Chinese, five in English.
